No Comment — October 25, 2007, 12:04 am

Death of a Journalist

In writing this column, I have often taken the most embarrassing members of the profession to task: the shameless sycophants, the suck-ups who seek out those in positions of wealth and power and do their dirty work; the log-rollers. They are almost too numerous to count, and they seem to grow more entrenched every year.

alisher-saipov

But there are also real heroes in the world of journalism, and some of them can be found in the most unlikely places. One of them was my young friend Alisher Saipov, who was murdered today in the ancient Silk Road city of Osh. He had just turned 26 when he died. The single word that best described Saipov was fearless.

An ethnic Uzbek residing in Kyrgyzstan, Saipov had staked out a critical beat—the Ferghana Valley. This is the historical heartland of Central Asia, its most densely populated strip, divided between three nations. Like most of the population of the Ferghana, Saipov was an ethnic Uzbek. He was very concerned about the conditions in Uzbekistan, now governed by a brutal Stalinist dictatorship and among the most corrupt nations in the world. In May 2005 there was a popular uprising in Andijan—just across the frontier from Osh—which was violently put down by the Uzbek dictatorship. Hundreds of Uzbeks were mowed down by gunfire, and their bodies quickly disposed of in shallow graves. The Uzbek Government worked feverishly to cut the country off from the world and to prevent word getting out about the massacre.

A number of brave journalists and human rights workers got the story of the massacre out, and documented it with photographs. But few if any played quite so effective and powerful a role as Saipov. He was the key Central Asia reporter for Voice of America, Radio Free Europe, Radio Liberty and other broadcasters, and he founded his own journal focused on political and economic developments in Uzbekistan. In his reporting, Saipov put his life on the line, repeatedly. And in the following years, he was the journalist to whom everyone turned for information about what was happening. I turned to Alisher often to understand what was happening, and there is no one whose opinion I ever found more reliable. He always succeeded in drawing out the details, the incessant power plays that mark Uzbekistan’s politics, the acts of repression and petty corruption. He was a bright spotlight on the Uzbek leadership, he was unflappable and incorruptible.

Last night Saipov was shot by an assailant using a gun with a silencer, just as he left his office in Osh. It was clearly an act of political assassination, and suspicions will immediately fall on one party, already known to use assassination as a tool to eliminate its enemies. Shortly before his killing, Saipov received repeated death threats and came under heavy attack on Uzbek state television. It was clear that he was being targeted. Saipov ignored these threats and plowed ahead with his work. His courage knew no limits, but an assassin’s bullet has put an end to his career. His death is a great loss for Central Asia and for the journalists’ profession.

Share
Single Page

More from Scott Horton:

Conversation March 30, 2016, 3:44 pm

Burn Pits

Joseph Hickman discusses his new book, The Burn Pits, which tells the story of thousands of U.S. soldiers who, after returning from Iraq and Afghanistan, have developed rare cancers and respiratory diseases.

Context, No Comment August 28, 2015, 12:16 pm

Beltway Secrecy

In five easy lessons

From the April 2015 issue

Company Men

Torture, treachery, and the CIA

Get access to 165 years of
Harper’s for only $45.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

June 2016

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today