No Comment — November 23, 2007, 5:48 pm

A Song for St Cecilia’s Day

st-cecilia

From harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
‘Arise, ye more than dead!’
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music’s power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound:
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly, and so well.
What passion cannot Music raise and quell?

The trumpet’s loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries Hark! the foes come;
Charge, charge, ’tis too late to retreat!

The soft complaining flute,
In dying notes, discovers
The woes of hopeless lovers,
Whose dirge is whisper’d by the warbling lute.

Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.

But O, what art can teach,
What human voice can reach,
The sacred organ’s praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.

Orpheus could lead the savage race;
And trees unrooted left their place,
Sequacious of the lyre;
But bright Cecilia rais’d the wonder higher:
When to her organ vocal breath was given,
An angel heard, and straight appear’d
Mistaking Earth for Heaven.

Grand Chorus.

As from the power of sacred lays
The spheres began to move,
And sung the great Creator’s praise
To all the Blest above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And Music shall untune the sky!

John Dryden, A Song for St Cecilia’s Day, 1687 in: The Poems of John Dryden vol. 2, pp. 538-39 (J. Kinsley ed. 1958)

George Frederick Handel, An Ode for St Cecilia’s Day HWV 76 (1739)

As yesterday was Thanksgiving, I let another important date go by. Thanksgiving was celebrated as early as ever it can be this year, so it fell on November 22, which would more properly be observed as St Cecilia’s Day. In England’s Augustan Age, the celebration of St Cecilia’s Day was an important event, though not for its religious significance (St Cecilia was a minor saint, after all) so much as for philosophy, music and the arts. There are a great number of odes, poems and airs and the tradition continued to W.H. Auden, whose Hymn to St Cecilia is beautiful. But I commend the greatest of these: John Dryden’s Song.

Dryden’s work is a celebration of Pythagoras and his theory. Of course the Pythagorean theory can be called a theory of music, but that rather misses the point. It is a theory of mathematics, the mathematical expression of relationships and music as a means of noting all of this. And Pythagoras of course also believed that as the music of the spheres drove the universe, so it also touched and affected humankind. Pythagoras’s idea of celestial harmony is thus literal in the common sense of harmony, and something else again. As Aristotle said in his discussion of Pythagoras in the Metaphysica

since. . . they [Pythagoras and his followers] saw that the modifications and the ratios of the musical scales were expressible in numbers;—since, then, all other things
seemed in their whole nature to be modelled in numbers, and numbers seemed to be the first things in the whole of nature, they supposed the elements of numbers to be the elements of all things, and the whole heaven to be a scale and a number. . .

These are the tools Dryden is playing with. His St Cecilia is about music, as ordinarily understood. But it is also about music as an emotive force, and then as a cosmic force—something which man only barely understands. Thus it is about music as an eternal mystery which science and art may conjointly unfold.

In this manner, as is his way, Dryden gives us the bridge. Antiquity reaches towards the modern thinking of Enlightenment, and a Christian saint who has been transformed into something amazingly unlike her early Christian image hovers over it. The poem itself is, by the way, packed with Pythagorean tricks which work their way into numbers (consider the number ten, of great importance to the Pythagoreans, which works its way through the poem—start by counting the number of instruments mentioned, for instance) and meter.

Read Dryden’s poem, but the better exercise, the way in fact it was intended to be heard, is not by recitation but by intonation. And the grandest setting of this poem, the only one which is every bit the equal of the text, is Handel’s composition from 1739. A number of good performances out there worthy of a listen, but this one by the King’s Consort with Carolyn Sampson is really splendid.

Share
Single Page

More from Scott Horton:

Conversation August 5, 2016, 12:08 pm

Lincoln’s Party

Sidney Blumenthal on the origins of the Republican Party, the fallout from Clinton’s emails, and his new biography of Abraham Lincoln

Conversation March 30, 2016, 3:44 pm

Burn Pits

Joseph Hickman discusses his new book, The Burn Pits, which tells the story of thousands of U.S. soldiers who, after returning from Iraq and Afghanistan, have developed rare cancers and respiratory diseases.

Context, No Comment August 28, 2015, 12:16 pm

Beltway Secrecy

In five easy lessons

Get access to 165 years of
Harper’s for only $45.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

September 2016

Tearing Up the Map

= Subscribers only.
Sign in here.
Subscribe here.

Land of Sod

= Subscribers only.
Sign in here.
Subscribe here.

Only an Apocalypse Can Save Us Now

= Subscribers only.
Sign in here.
Subscribe here.

The Watchmen

= Subscribers only.
Sign in here.
Subscribe here.

Acceptable Losses

= Subscribers only.
Sign in here.
Subscribe here.

Home

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
 
Andrew Cockburn on the Saudi slaughter in Yemen, Alan Jacobs on the disappearance of Christian intellectuals, a forum on a post-Obama foreign policy, a story by Alice McDermott, and more
Artwork by Ingo Günther
Article
Land of Sod·

= Subscribers only.
Sign in here.
Subscribe here.

Just a few short years ago, Yemen was judged to be among the poorest countries in the world, ranking 154th out of the 187 nations on the U.N.’s Human Development Index. One in every five Yemenis went hungry. Almost one in three was unemployed. Every year, 40,000 children died before their fifth birthday, and experts predicted the country would soon run out of water.

Photograph by Mike Slack
Article
The Watchmen·

= Subscribers only.
Sign in here.
Subscribe here.

Just a few short years ago, Yemen was judged to be among the poorest countries in the world, ranking 154th out of the 187 nations on the U.N.’s Human Development Index. One in every five Yemenis went hungry. Almost one in three was unemployed. Every year, 40,000 children died before their fifth birthday, and experts predicted the country would soon run out of water.

Illustration by John Ritter
Article
Acceptable Losses·

= Subscribers only.
Sign in here.
Subscribe here.

Just a few short years ago, Yemen was judged to be among the poorest countries in the world, ranking 154th out of the 187 nations on the U.N.’s Human Development Index. One in every five Yemenis went hungry. Almost one in three was unemployed. Every year, 40,000 children died before their fifth birthday, and experts predicted the country would soon run out of water.

Photograph by Alex Potter
Article
The Origins of Speech·

= Subscribers only.
Sign in here.
Subscribe here.

"To Chomsky...every child’s language organ could use the 'deep structure,' 'universal grammar,' and 'language acquisition device' he was born with to express what he had to say, no matter whether it came out of his mouth in English or Urdu or Nagamese."
Illustration (detail) by Darrel Rees. Source photograph © Miroslav Dakov/Alamy Live News

Chances that college students select as “most desirable‚” the same face chosen by the chickens:

49 in 50

Most of the United States’ 36,000 yearly bunk-bed injuries involve male victims.

In Italy, a legislator called for parents who feed their children vegan diets to be sentenced to up to six years in prison, and in Sweden, a woman attempted to vindicate her theft of six pairs of underwear by claiming she had severe diarrhea.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today