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La politique dans une œuvre littéraire c’est un coup de pistolet au milieu d’un concert–quelque chose de grossier et auquel pourtant il n’est pas possible de refuser son attention.
Politics in a literary work is a pistol shot in the middle of a concert—a rather coarse matter, but, on the other hand, something which one ignores at one’s own peril.
–Marie-Henri Beyle (Stendhal), La Chartreuse de Parme ch xxiii(1839) in: Romans et nouvelles, vol. 2, p. 405 (Pléiade ed. 1968)(S.H. transl.)
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
“A progressive Europe—the Europe of sustainable growth and social cohesion—would be one thing. The gridlocked, reactionary, petty, and vicious Europe that actually exists is another. It cannot and should not last for very long.”
Percentage of Americans who say they would have cosmetic surgery if they could afford it:
An upside-down rainbow appeared over England.
Hackers breached Ashley Madison, a website that facilitates extramarital relationships, compromising the private information of millions of users. “This could be a boon,” said one lawyer, “for divorce attorneys.”
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”