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La politique dans une œuvre littéraire c’est un coup de pistolet au milieu d’un concert–quelque chose de grossier et auquel pourtant il n’est pas possible de refuser son attention.
Politics in a literary work is a pistol shot in the middle of a concert—a rather coarse matter, but, on the other hand, something which one ignores at one’s own peril.
–Marie-Henri Beyle (Stendhal), La Chartreuse de Parme ch xxiii(1839) in: Romans et nouvelles, vol. 2, p. 405 (Pléiade ed. 1968)(S.H. transl.)
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
Number of pages in the bills that created Social Security and the Federal Trade Commission, respectively:
A case study was published about a man who has consumed 40,000 pills of ecstasy, a new world record. The man suffers from memory problems, paranoia, hallucinations, and depression, as well as painful muscle rigidity that keeps him from opening his mouth.
A plane carrying skydiving students landed on a busy highway in New Jersey.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”