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No Comment readers recently saw my interview with Alex Gibney, the producer of “Taxi to the Dark Side.” Last night, Alex and his team got the best documentary Oscar. (Disclosure: I appear in “Taxi” and had many discussions with Alex and his crew about shaping it.) Here’s a wire report:
An investigation into the death later found Dilawar had been repeatedly kicked and punched and was chained to the ceiling of his cell for days. Gibney, who also produced hit documentary “Enron: The Smartest Guys in the Room”, said in his acceptance speech that his wife had wanted him to make a romantic comedy.
“But honestly after Guantanamo, Abu Ghraib and extraordinary rendition that simply wasn’t possible,” the film-maker said before dedicating the film to Dilawar, and his own father.
“This is dedicated to two people who are no longer with us, Dilawar, the young Afghan taxi driver and my father a Navy interrogator who urged me to make this film because of his fury at what was being done to the rule of law,” said Gibney.
“Let’s hope we can turn this country around, move away from the dark side and go back to the light,” he said.
Discovery originally took broadcast rights to the documentary, and then backed out, saying it was “too controversial.” Actually there is nothing “controversial” about the film. It is a compelling, honest account of something that the Bush Administration fervently hopes that Americans learn nothing. Discovery evidenced supreme cowardice. I was halfway expecting them to take a lambasting from the Oscar podium, but the “Taxi” team is far too classy for that.
The film rights were flipped to HBO. Let’s hope HBO gets it out and on the air quickly.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
Ratio of money spent by Britons on prostitution to that spent on hairdressing:
A German scientist was testing an anti-stupidity pill.
A Twitter spokesperson conceded that a “Frat House”–themed office party “was in poor taste at best.”
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”