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Größers wolltest auch du, aber die Liebe zwingt
All uns nieder, das Leid beuget gewaltiger,
Doch es kehret umsonst nicht
Unser Bogen, woher er kommt.
Aufwärts oder hinab! herrschet in heil’ger Nacht,
Wo die stumme Natur werdende Tage sinnt,
Herrscht im schiefesten Orkus
Nicht ein Grades, ein Recht noch auch?
Dies erfuhr ich. Denn nie, sterblichen Meistern gleich,
Habt ihr Himmlischen, ihr Alleserhaltenden,
Daß ich wüßte, mit Vorsicht
Mich des ebenen Pfads geführt.
Alles prüfe der Mensch, sagen die Himmlischen,
Daß er, kräftig genährt, danken für Alles lern’,
Und verstehe die Freiheit,
Aufzubrechen, wohin er will.
You wanted greater still, but love forces
All of us to the ground; suffering bends powerfully,
Still our arc does not for nothing
Bring us back to the starting point.
Whether up or downwards, does not prevail in the Holy Night
Where quietly Nature contemplates the days to come,
Does not prevail in the crookedest Orcus
One straightness, one Law?
This I experienced. For never, in the manner of mortal masters,
Have you Divine Ones, you who sustain our world,
Yet led me on the straight path,
Not with intent, not that I knew it.
A man must test all that comes his way, say the Divine Ones,
In order that he, powerfully nourished, give thanks for what he learns,
That he understand the freedom,
To move hence, where he wishes.
–Friedrich Hölderlin, Lebenslauf (1800) in Sämtliche Werke und Briefe, vol. 1, p. 285 (G. Mieth ed. 1970)(S.H. transl.)
This poem of Hölderlin’s follows a typical theme of the reconciliation of thinking of classical antiquity and Christianity. The poem follows Heraclitus of Ephesus fairly clearly, and the phrase “up or downwards” and the concept of the “arc of life” are taken from his works. Orcus is a Roman god of the underworld, either cruel or gentle depending on the circumstances, but known as a wrathful punisher of those who swear false oaths. The last stanza is a paraphrasing of Thessalonians 5:21 (“Prove all things; hold fast that which is good” in the King James text, though the first verb would be modernized as “proof” or “test”).
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
On a Friday evening in January, a thousand people at the annual California Native Plant Society conference in San Jose settled down to a banquet and a keynote speech delivered by an environmental historian named Jared Farmer. His chosen topic was the eucalyptus tree and its role in California’s ecology and history. The address did not go well. Eucalyptus is not a native plant but a Victorian import from Australia. In the eyes of those gathered at the San Jose DoubleTree, it qualified as “invasive,” “exotic,” “alien” — all dirty words to this crowd, who were therefore convinced that the tree was dangerously combustible, unfriendly to birds, and excessively greedy in competing for water with honest native species.
In his speech, Farmer dutifully highlighted these ugly attributes, but also quoted a few more positive remarks made by others over the years. This was a reckless move. A reference to the tree as “indigenously Californian” elicited an abusive roar, as did an observation that without the aromatic import, the state would be like a “home without its mother.” Thereafter, the mild-mannered speaker was continually interrupted by boos, groans, and exasperated gasps. Only when he mentioned the longhorn beetle, a species imported (illegally) from Australia during the 1990s with the specific aim of killing the eucalyptus, did he earn a resounding cheer.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A tourism company in Australia announced a service that will allow users to take the “world’s biggest selfies,” and a Texas man accidentally killed himself while trying to pose for a selfie with a handgun.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”