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The most honest and insightful piece yet on the media’s love affair with Obama:
But of course, I don’t know many of those fierce Clinton supporters, because most of my friends and acquaintances are writers and editors and cultural impresarios of one kind or another—members of “the media”—and there are precious few Clintonites among them. Because almost as much as geography is dispositive in spectator sports—if you live in New England, you’re bound to love the Red Sox and hate the Yankees—demography is dispositive in this year’s Democratic race. And the great majority of media people are members of the same (white) demographic cohort that has rejected Hillary and voted for Barack—educated, more-affluent-than-average residents of cities and suburbs. [T]he media and their fellow upscale Americans are now disposed to like Obama precisely because he resembles them in so many ways. The difference is he’s relatively unsullied, an exquisite, idealized version of themselves: educated, thoughtful, twigged to nuance, a lovely writer, well-traveled, witty, cool, dignified, candid, a little quixotic, a clued-in grown-up but not yet ruined by the ugly facts of Washington life.
And this is pretty good too: “[O]ver the course of Bill Clinton’s (bungled, distasteful) presidency and Hillary Clinton’s (bungled, distasteful) campaign for the presidency, the couple have separately and together become incarnations of the most unattractive attributes of their generation’s elite—blind ambition cloaked in do-good self-righteousness, a sense of entitlement, high-handed snobbiness.”
More from Ken Silverstein:
Lucas Mann on hope and change in a minor-league-baseball city
Minimum number of baboons forced to smoke crack in a 1989 study testing the efficacy of cigarettes as a drug delivery device:
A reduction in distrust toward atheists was documented among pious Canadians who are reminded of the Vancouver police.
A Missouri cinema apologized for hiring an actor dressed in body armor and carrying a fake rifle to appear at a screening of Iron Man 3.
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Winner of the 2012 Olivier Rebbot Award for best photographic reporting from abroad in magazines or books