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From the Miami Herald:
John McCain will venture into the Everglades for the first time as a presidential candidate Friday, an obligatory rite of passage for politicians shoring up their environmental credentials in a crucial state. But the Arizona senator opposed spending $2 billion on restoring the national park, siding with President Bush against Florida’s political establishment — including top Republican supporters Gov. Charlie Crist and Sen. Mel Martinez.
It took seven years after the state and federal governments closed a sweeping Everglades cleanup deal for Congress to authorize spending in 2007. McCain was campaigning and missed the vote, but he later urged his colleagues to let Bush’s veto of the measure stand…
McCain is planning to tour Everglades Safari Park on Friday and possibly take an airboat ride. ”He will discuss fulfilling our energy needs in balance with the goal of a cleaner environment,” said McCain spokesman Jeff Sadosky.
“It bothers me that Sen. McCain would vote against this funding and then come down and act like he’s a friend of the Everglades,” said Eric Draper, deputy policy director at Audubon of Florida.”
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”