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From Jonathan Schwarz:
Here are some statements by Ms. Rice in the lead up to the invasion of Iraq:
“I think he [then Secretary of State Colin Powell] has proved that Iraq has these weapons and is hiding them, and I don’t think many informed people doubted that.” (NPR, Feb. 6, 2003)…
“The United States policy has been regime change for many, many years, going well back into the Clinton administration. So it’s a question of timing and tactics…We do not necessarily need a further Council resolution before we can enforce this and previous resolutions. (NPR, Nov. 11, 2002)
Of course, this sounds like Condoleezza Rice. But in fact all those quotes are from Susan Rice, Assistant Secretary of State in the Clinton administration and now part of Obama’s newly formed “Senior Working Group on National Security.” These quotes are from an examination of the Working Group done by the Institute for Public Accuracy, here.
I’d long believed that black women named Rice who are willing to be appalling hacks to rise to the top of the foreign policy establishment are a precious national resource. However, I thought we faced serious supply constraints. Apparently I was wrong.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”