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Right-wingers like to paint liberals as a bunch of humorless, whining ninnies, and the hysterical reaction to the New Yorker‘s cover on Barack Obama proves there is more than a kernel of truth to that. What’s especially striking is the elitism inherent in the outrage: “We’re smart enough to know that this is satire, but most Americans are too dumb to figure it out.”
“Unfortunately the impact of this image will extend far beyond the reading audience of the New Yorker; cable news and the right-wing media noise machine will amplify the derogatory image to millions more,” writes Don Hazen on Alternet. “And the New Yorker of course will reap enormous publicity, clearly translating to increased sales and notoriety for the brand, and for corporate owner Conde Nast–one of the largest and most powerful media companies in America.”
No wonder the polls show John McCain within striking distance of Obama. Who’d want to join this bandwagon?
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”