Sentences — August 6, 2008, 5:07 am

All That, For This?

A book I read this past weekend, not John Haskell’s American Purgatorio about which I wrote in my previous post, but one that comes out in the fall, was a raging disappointment. The writer’s work to date, though uneven, is distinguished. I greet the prospect of new work from this writer as an occasion: perhaps this latest effort will banish my doubts and fulfill my hopes. Perhaps the writer will avoid bad tendencies past and embrace best qualities and pull off a fully successful work of art.

The new book, through its first half, seems to be doing just that. Smart, restrained writing and, with the unfolding of each successive sequence, a deepening of intrigue. Soon, the novel becomes an intrigue-generating machine, marching us steadily uphill towards the elusive narrative summit at which, though we cannot see it, we sense that all will be revealed. Alas, we reach the summit, and discover that the breathtaking view we have been awaiting is, instead, a punch in the nose from an insignificant fist. What storytelling withholding had promised is delivered and we want to refuse receipt: all that, for this?

All workers in prose narrative withhold what they know is coming. Even those prose writers who profess to write because they do not know what is coming are no less complicit in the practice. Javier Marìas, for example, has claimed that he sets out to write a novel with a compass but no map, a way of saying that, for him, finding out what happens next is a pleasure that the writer in him refuses to give over completely to the reader. He wants that pleasure too, while writing.

As such, expectation for what is going to happen next is built deeply if differently into his storytelling. The attenuation of his plots, the luxuriant idling over and around and above and within moments that other novelists would elide entirely, may be appreciated, in part, as an inevitable product of his process: much rapt circling before the dive.

Building expectation through narrative withholding is an art, but delivering something that is the equal of such protracted absence is another art, and a more important one. “More important” in the sense that if we get to the end and feel that what has been intimated by the beginning is not, in the end, a treat but a trick, all the effort the storyteller expended in keeping things from us is wasted. Tricks are fine, and treats are nice, but truths trump both, and are the only thing, in fiction, worth waiting for.

Share
Single Page

More from Wyatt Mason:

Conversation October 2, 2015, 8:26 am

Permission to Speak Frankly

“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”

From the October 2014 issue

You Are Not Alone Across Time

Using Sophocles to treat PTSD

From the February 2010 issue

The untamed

Joshua Ferris’s restless-novel syndrome

Get access to 165 years of
Harper’s for only $45.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

September 2016

Tearing Up the Map

= Subscribers only.
Sign in here.
Subscribe here.

Land of Sod

= Subscribers only.
Sign in here.
Subscribe here.

Only an Apocalypse Can Save Us Now

= Subscribers only.
Sign in here.
Subscribe here.

The Watchmen

= Subscribers only.
Sign in here.
Subscribe here.

Acceptable Losses

= Subscribers only.
Sign in here.
Subscribe here.

Home

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
 
Andrew Cockburn on the Saudi slaughter in Yemen, Alan Jacobs on the disappearance of Christian intellectuals, a forum on a post-Obama foreign policy, a story by Alice McDermott, and more
Artwork by Ingo Günther
Article
Land of Sod·

= Subscribers only.
Sign in here.
Subscribe here.

Just a few short years ago, Yemen was judged to be among the poorest countries in the world, ranking 154th out of the 187 nations on the U.N.’s Human Development Index. One in every five Yemenis went hungry. Almost one in three was unemployed. Every year, 40,000 children died before their fifth birthday, and experts predicted the country would soon run out of water.

Photograph by Mike Slack
Article
The Watchmen·

= Subscribers only.
Sign in here.
Subscribe here.

Just a few short years ago, Yemen was judged to be among the poorest countries in the world, ranking 154th out of the 187 nations on the U.N.’s Human Development Index. One in every five Yemenis went hungry. Almost one in three was unemployed. Every year, 40,000 children died before their fifth birthday, and experts predicted the country would soon run out of water.

Illustration by John Ritter
Article
Acceptable Losses·

= Subscribers only.
Sign in here.
Subscribe here.

Just a few short years ago, Yemen was judged to be among the poorest countries in the world, ranking 154th out of the 187 nations on the U.N.’s Human Development Index. One in every five Yemenis went hungry. Almost one in three was unemployed. Every year, 40,000 children died before their fifth birthday, and experts predicted the country would soon run out of water.

Photograph by Alex Potter
Article
The Origins of Speech·

= Subscribers only.
Sign in here.
Subscribe here.

"To Chomsky...every child’s language organ could use the 'deep structure,' 'universal grammar,' and 'language acquisition device' he was born with to express what he had to say, no matter whether it came out of his mouth in English or Urdu or Nagamese."
Illustration (detail) by Darrel Rees. Source photograph © Miroslav Dakov/Alamy Live News

Chances that college students select as “most desirable‚” the same face chosen by the chickens:

49 in 50

Most of the United States’ 36,000 yearly bunk-bed injuries involve male victims.

In Italy, a legislator called for parents who feed their children vegan diets to be sentenced to up to six years in prison, and in Sweden, a woman attempted to vindicate her theft of six pairs of underwear by claiming she had severe diarrhea.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today