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From today’s Washington Post, which cited Sarah Palin’s repeated claims that she fought the Bridge to Nowhere as an example of “a candidate staying on message even when that message has been publicly discredited.”
John Feehery, a Republican strategist, said the campaign is entering a stage in which skirmishes over the facts are less important than the dominant themes that are forming voters’ opinions of the candidates. “The more the New York Times and The Washington Post go after Sarah Palin, the better off she is, because there’s a bigger truth out there and the bigger truths are she’s new, she’s popular in Alaska and she is an insurgent,” Feehery said. “As long as those are out there, these little facts don’t really matter.”
For now, there appears to be little political reason to back down. A Washington Post-ABC News poll taken Sept. 5 to Sept. 7 found that 51 percent of voters think Obama would raise their taxes, even though his plan would actually cut taxes for the overwhelming majority of Americans. Obama has proposed eliminating income taxes on seniors making less than $50,000 a year, but 41 percent of those seniors say their income taxes would go up in an Obama administration…
With McCain’s standing in the polls surging, aides say he is not about to back down from statements he believes are fundamentally true, such as the anecdote about the bridge.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”