Sentences — September 3, 2008, 3:41 pm

Unconsumed Holes

“But can a novelist, or any writer for that matter, really notice too much or dwell too much on what he notices?” The question was posed a few weeks back by Sam Tanenhaus, on the New York Times Book Review‘s Papercuts blog. The question served as a pivot in Tanenhaus’s presentation of rival readings of a passage that appears in John Updike‘s novella “Of the Farm”:

Its panes were strewn with drops that as if by amoebic decision would abruptly merge and break and jerkily run downward, and the window screen, like a sampler half-stitched, or a crossword puzzle invisibly solved, was inlaid erratically with minute, translucent tesserae of rain.

First, Tanenhaus offered James Wood’s distrust of the passage, from his new book How Fiction Works (FSG): “Aestheticism is the great risk here, and also an exaggeration of the noticing eye.” A little later he presented Nicholson Baker’s appreciation of the same passage, from Baker’s Updikeophiliac U & I (1991):

I cried at the aforementioned description of the raindrops on the window screen like a crossword puzzle or a “sampler half-stitched”: it killed for the time being a patch of screen description of my own, but that didn’t matter, because Updike’s paragraph was so fine that my competitiveness went away; and when I found that Elizabeth Bishop’s 1948 New Yorker short story called “The Housekeeper” also had a screen whose clinging raindrops “fill[ed] the squares with cross-stitch effects that came and went,” this parallel only demonstrated to me how much more Updike could do with the same piece of reality: he had lifted it from the status of incidental setting and made its qualities part of the moral power and permanency of his mother’s house…. What I liked so much about “Of the Farm” was that Updike’s terror was under control; the proportion between consumed and unconsumed holes was just right; you could still see through the mesh of the screen, but the clinging metaphorical figures, such as the droplet-needlework image itself, were there in cross-eyed, painstaking abundance.

Tanenhaus’s question is useful, for it serves to remind readers of the precise function of criticism: answering fully such questions as “can a novelist, or any writer for that matter, really notice too much or dwell too much on what he notices?” As a form of argumentation, literary criticism is charged with making defensible cases for indefensible positions. “Defensible” in the sense that one must marshal proof, in the form of quotations from a work of literary art, that make a case for the integrity or incoherence of such a work. “Indefensible” in the sense that however much proof one marshals, one is only offering a fleeting thinking-through of a thing–not its destruction, much less its salvation.

Share
Single Page

More from Wyatt Mason:

Conversation October 2, 2015, 8:26 am

Permission to Speak Frankly

“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”

From the October 2014 issue

You Are Not Alone Across Time

Using Sophocles to treat PTSD

From the February 2010 issue

The untamed

Joshua Ferris’s restless-novel syndrome

Get access to 165 years of
Harper’s for only $45.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

August 2016

Atlas Aggregated

= Subscribers only.
Sign in here.
Subscribe here.

The Origins of Speech

= Subscribers only.
Sign in here.
Subscribe here.

Four in Verse

= Subscribers only.
Sign in here.
Subscribe here.

A Sigh and a Salute

= Subscribers only.
Sign in here.
Subscribe here.

Four in Prose

= Subscribers only.
Sign in here.
Subscribe here.

Don the Realtor

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Martin Amis on the rise of Trump, Tom Wolfe on the origins of speech, Art Spiegelman on Si Lewen, fiction by Diane Williams, and more

In Havana, the past year has been marked by a parade of bold-faced names from the north — John Kerry reopening the United States Embassy; Andrew Cuomo bringing a delegation of American business leaders; celebrities ranging from Joe Torre, traveling on behalf of Major League Baseball to oversee an exhibition game between the Tampa Bay Rays and the Cuban national team, to Jimmy Buffett, said to be considering opening one of his Margaritaville restaurants there. All this culminated with a three-day trip in March by Barack Obama, the first American president to visit Cuba since Calvin Coolidge in 1928. But to those who know the city well, perhaps nothing said as much about the transformation of political relations between the United States and Cuba that began in December 2014 as a concert in the Tribuna Antiimperialista.

Illustration by Darrel Rees
Article
Don the Realtor·

= Subscribers only.
Sign in here.
Subscribe here.

"If you have ever wondered what it’s like, being a young and avaricious teetotal German-American philistine on the make in Manhattan, then your curiosity will be quenched by The Art of the Deal."
Photograph (detail) © Polly Borland/Exclusive by Getty Images
Article
The Origins of Speech·

= Subscribers only.
Sign in here.
Subscribe here.

"To Chomsky...every child’s language organ could use the 'deep structure,' 'universal grammar,' and 'language acquisition device' he was born with to express what he had to say, no matter whether it came out of his mouth in English or Urdu or Nagamese."
Illustration (detail) by Darrel Rees. Source photograph © Miroslav Dakov/Alamy Live News
Article
A Sigh and a Salute·

= Subscribers only.
Sign in here.
Subscribe here.

"Si told me that various paintings had spoken to him, but he wished they had been hung closer together 'so they could talk to each other.' This observation planted a seed that would come to fruition years later in his mature work."
Artwork (detail) by Si Lewen
Article
El Bloqueo·

= Subscribers only.
Sign in here.
Subscribe here.

"Amid the festivities and the flood of celebrities, it would be easy for Americans to miss that the central plank of the long-standing cold war against Cuba — the economic embargo — remains very much alive and well."
Photograph (detail) by Rose Marie Cromwell

Estimated temperature of Hell, according to two Spanish physicists ‘ interpretation of the Bible:

832°F

The ecosystems around Chernobyl, Ukraine, are now healthier than they were before the nuclear disaster, though radiation levels are still too high for human habitation.

A TSA agent in Seattle was arrested for taking up-skirt photos of women in the airport, a Maryland police officer was arrested for taking up-skirt photos of an off-duty colleague, and the Georgia Court of Appeals ruled that taking up-skirt photos is legal in the state.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today