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The Judicial Confirmation Network (JCN), a conservative independent group, is running new anti-Obama TV ads in battleground states that feature the Reverend Jeremiah Wright. “Obama chose as his pastor a man who has blamed America for the 9/11 attacks,” says the narrator, as an image of Wright (with the words “God Damn America”) flash on the screen.
The JCN is headed by Gary Marx, who worked for Mitt Romney’s campaign this year and who served as coalitions organizer for the Bush-Cheney campaign four years ago. As an “independent” group, the JCN doesn’t have to reveal its donors.
I wouldn’t be surprised to see Reverend Wright soon appear in more ads from the GOP and McCain’s surrogates, especially if Obama’s momentum in the polls isn’t soon reversed.
Over the summer I spoke with Gary Pearce, a Democratic consultant in North Carolina, where Obama and McCain are running neck and neck. “It’s so deep in the Republican DNA in North Carolina,” he said when I asked him if he though that race would become an issue during the campaign. “Race is the deepest question in Southern politics, it’s inescapable and it’s worked repeatedly against black and white politicians.”
Pearce worked for former Governor Jim Hunt, who lost a senate race in 1984 to incumbent Jessie Helms, in good part due to the issue of a national holiday for Martin Luther King. Six years later, the moderate African-American mayor of Charlotte, Harvey Gantt, lost to Helms in a campaign also marked by not-so-subtle racial tactics. (Charlie Black, one of McCain’s senior advisors, worked for Helms during both of those campaigns.)
“If the Republicans get worried, we’ll see more of it,” Pearce said about the potential use of race in the current campaign.
They’re worried now. Stay tuned.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”