SIGN IN to access Harper’s Magazine
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
“The things I’ve seen in Antwerp are not to be described,” Sholem Aleichem (1859–1916), né Rabinovich, writes in his novel Motl, the Cantor’s Son. Aleichem wrote in Yiddish, and the colloquial and clear English of the above belongs to Hillel Halkin. Aleichem’s syntax could not be confused, that is to say confounded, in misery of mistakenness, in a moment of misguidedness, with that of Henry James. (As my Yiddish is limited to a list of interjectives, I depend upon Halkin’s report of his source as truthful.)
In college I wrote a paper on Thomas Mann’s The Magic Mountain that traced leitmotivs throughout the book to bolster my (long-forgotten) argument. My professor, upon returning the paper, patiently explained that Helen Tracy Lowe Porter, a druggist’s daughter from Towanda, Pennsylvania, and Mann’s erstwhile voice in English, had a habit of serial inconsistency when it came to Mann’s German: words Mann used repeatedly, my professor said, HTLP democratized into different synonyms; where Mann varied his usage, HTLP regularized it. I can’t verify the accuracy of my professor’s diagnosis of HTLP’s editorial disorder, but I can say that such reading experiences shape the caution I now take when talking about work in translation.
So said, Halkin’s Aleichem is a writer to read, in English. “The things I’ve seen in Antwerp are not to be described,” is a sentence that, of course, initiates the narrator’s descriptions of (what else) Antwerp. It’s a softly funny statement, one meant to suggest the sheer stupefaction one would have courted in opening one’s eyes in Antwerp at all. What would one see:
Every day new people turn up here. They’re mostly poor or crippled or have eye problems. “Trachoma,” it’s called. Whatever it is America doesn’t want it. You can have a thousand diseases, be deaf, dumb, and lame—it’s all right if you don’t have trachoma.
Fans of Woody Allen, Jonathan Foer, Jerry Seinfeld, Leonard Michaels, Larry David, Philip Roth, Saul Bellow, and so forth, might note a sympathetic syntactical–not to say historical–temperament. The best humor comes out of suffering of some kind. Loss leads to laughs, eventually. Seinfeld of the missing sock, of course, is merely a literalizing of loss–itself a kind of loss. Here’s another kind, again from Aleichem’s Motl, a comic novel begun in 1906 and never finished, a book of losses not to be described:
Big Motl and I have another friend. His name is Mendl. He’s stuck in Antwerp too. Not on account of his eyes, though.
Mendl lost his family in Germany. On the train crossing Germany, he says, there was nothing to eat but salt herring. He was burning with thirst and got off at a station to look for water and the train pulled out and left him without a ticket or a kopeck to his name. Since he didn’t speak the language, he pretended to be deaf and dumb. He wandered from one end of Germany to the other until he ran into a party of emigrants who felt sorry for him and took him to Antwerp.
More from Wyatt Mason:
Number of African countries with vaccination rates higher than that of the United States:
Iowa urologists reported that only a minor portion of locker-room teasing arises from “the presence of excess foreskin”; most teasing targets small penises.
A farmer in Surrey, England, was ordered by the Reigate and Banstead Borough Council to tear down his cannon-equipped castle, which he had built secretly and then concealed behind hay bales.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”