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I was pleased to read Adam Gopnik’s report this week on Richard Reeves’s new biography, John Stuart Mill: Victorian Firebrand (Overlook). Mill (1806-1873), writer of On Liberty and The Subjection of Women, is most famous for his arguments for the equality–regardless of race or gender–of all peoples, and for insisting upon freedom in all human activity, beginning with the activity of thought itself. As Gopnik puts it, Mill’s life and work was and remains an object lesson in a maxim infrequently conceded: “Nothing is worse for being looked at.”
One thing no worse for being looked at is Mill’s writing itself. The story of Mill’s style, of its great nuance and purity, is the story of his being the child of social reformer James Mill. Mill père had his son begin learning classical Greek at age three–and never let up after that. As such, the son’s manifest native gifts, when molded by his father’s didactic extremism, forged a little Mozart whose instrument was the mind itself.
That story is told nowhere better than by the son, in his own Autobiography. It is one of my favorite books, a drama of self-invention under extreme duress, the pressure of a father of whom Mill writes, “The element which was chiefly deficient in his moral relation to his children, was that of tenderness.” And:
If we consider further that he was in the trying position of sole teacher, and add to this that his temper was constitutionally irritable, it is impossible not to feel true pity for a father who did, and strove to do, so much for children, who would have so valued their affection, yet who must have been constantly feeling that fear of him was drying it up at its source. This was no longer the case, later in life and with his younger children. They loved him tenderly: and if I cannot say so much of myself, I was always loyally devoted to him. As regards my own education, I hesitate to pronounce whether I was more a loser or gainer by his severity.
Taken in whole, Mill’s Autobiography shows the uneasy inner balance of that great mind’s inarguable gains warring with the losses that such a mind too sustained, tethered as it was to an enormous heart. I propose Mill’s short and superb book, available for free here, in a nice scanned book, as your weekend read.
More from Wyatt Mason:
Conversation — October 2, 2015, 8:26 am
“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”
Years ago, I lived in Montana, a land of purple sunsets, clear streams, and snowflakes the size of silver dollars drifting through the cold air. There were no speed limits and you could legally drive drunk. My small apartment in Missoula had little privacy. In order to write, I rented an off-season fishing cabin on Rock Creek, a one-room place with a bed and a bureau. I lacked the budget for a desk. My idea was to remove a sliding door from a closet in my apartment and place it over a couple of hastily cobbled-together sawhorses.
Amount the inventor of the yellow “smiley face” had received for it by the time of his death in April:
An astrophysicist observed that the early universe looked like vegetable soup.
In North Korea, a missile capable of striking U.S. bases overseas blew up immediately after a test launch, and in North Carolina, a G.O.P. headquarters was firebombed.
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“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”