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In 1993, I lived in a small Italian town for a winter. Expanding to a population of 350,000 German tourists during the summer, the town contracted back to 1500 rich but sleepy locals in winter. Housing by the sea was plentiful and affordable. The place I took was cheap and fine, with nine beds and two pots. There were also books left by prior renters. Potboilers in German; a Bible in Swedish; and a bilingual collection of Arthur Rimbaud’s poems, French/Italian.
I’d never been a big fan of Rimbaud. As a teen I found him to be too much.
As I discovered during that Italian winter, this early judgment proved to be a limitation not of Rimbaud’s but of mine. The poems turned out to be terrific, of course, and the copy of them that I lucked into, as much as it taught me an important lesson about taste and timing, also helped me learn Italian, which was why I’d gone to Italy in the first place.
Going to a country is the best way to learn a language; second best is to have a foreign lover, whether you’re in a foreign country or not (although, of course, if your lover is foreign and your affair domestic, they’ll learn more of your language than you theirs); third best—and the least costly (in every sense) of the top three—is a good bilingual collection of poems you love.
My Spanish is terrible, the spoken version of it limited to a very crude and limited (but effective) range of insults. I read it okay, but it’s like looking the landscape through gauze: What a pretty tree… I mean moose… I mean…. And so this week I’ve been enjoying, both for its content as well as its utility, The Romantic Dogs from New Directions (called, fondly, “Nude Erections” by Ezra Pound) a bilingual version on facing pages of Roberto Bolaño’s excellent Los Perros romanticos, in Laura Healy’s translation. You can grab one of the English versions of the poems for your e-reader here, and the full book here. It is agreeable for the brain:
ENTRE LAS MOSCAS
Ya nada de lo que podía ser vuestro
Ni templos ni jardines
Admirables poetas troyanos
More from Wyatt Mason:
Conversation — October 2, 2015, 8:26 am
“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”
Estimated percentage of New Hampshire’s bat population that died in 2010:
A horticulturalist in Florida announced a new low-carb potato.
In Turlock, California, nearly 3,500 samples of bull semen were stolen from the back of a truck.
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“Civilization masks us with a screen, from ourselves and from one another, with thin depth of unreality. We habitually live — do we not? — in a world self-created, half established, of false values arbitrarily upheld, largely inspired by misconception, misapprehension, wrong perspective, and defective proportion, misapplication.”