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Andrew Sullivan writes: “Sarah Palin was more qualified to be vice-president than Caroline Kennedy is to be a Senator. Both are celebrities, but Palin made her own way herself, winning election as mayor and governor without the kind of raw nepotism now on display in New York State. The model now, of course, is similar – finding a way to get elected without actually exposing your inadequacies. Hence the press shutdown. But Kennedy’s self-defense is even more painful than Palin’s.”
And here’s Kennedy’s pathetic defense of her qualifications: “I’ve written books on the Constitution and the importance of individual participation. And I’ve raised my family.”
(Though Gawker does make a fair point, in that Caroline Kennedy is being unfairly singled out in regard to the question of her qualifications: “Honestly, Patrick Kennedy is still a congressman. What were Ted Kennedy qualifications when he was elected to the Senate? Oh, right, he was named Kennedy.”)
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”