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With all the dark talk this week about the falsity and mediocrity of memoir, it seems only fair to celebrate three bright examples of memoir at its best. Neither of the longer suggestions is available in full online, but both can be started that way (and by beginning to read them, I suspect that you’ll quickly find yourself arranging to finish them, one way or another).
George Orwell’s Down and Out in Paris and London contains the single finest piece of writing about the astonishingly degrading (and delightful) experience of working in a restaurant that I know. What, in Anthony Bourdin, becomes broad comedy of some charm but little depth, Orwell treats of with Dante’s deep attention to and empathy for the sinners stuck in his hell. Orwell’s Parisian recollections begin like this:
The Rue du Coq d’Or, Paris, seven in the morning. A succession of furious, choking yells from the street. Madame Monce, who kept the little hotel opposite mine, had come out on to the pavement to address a lodger on the third floor. Her bare feet were stuck into sabots and her grey hair was streaming down.
Madame Monce: ‘Sacrée salope! How many times have I told you not to squash bugs on the wallpaper? Do you think you’ve bought the hotel, eh? Why can’t you throw them out of the window like everyone else? Espèce de traînée!’
The woman on the third floor: ‘Va donc, eh! vieille vache!’
Thereupon a whole variegated chorus of yells, as windows were flung open on every side and half the street joined in the quarrel. They shut up abruptly ten minutes later, when a squadron of cavalry rode past and people stopped shouting to look at them.
Robert Graves’s Goodbye to all That is my favorite full length memoir. Its author’s candor, not to say the fine peculiarity of his mind, should be examples to anyone who would think to examine his or her lived life in print. Graves begins, fittingly and frankly, this way:
The objects of this autobiography, written at the age of thirty-three, are simple enough: an opportunity for a formal good-bye to you and to you and to you and to me and to all that; forgetfulness, because once all this has been settled in my mind and written down and published it need never be thought about again; money.’
Finally, I’d suggest you read or reread my favorite short memoir, Leonard Michaels’s “My Father,” which begins:
Six days a week he rose early, dressed, ate breakfast alone, put on his hat, and walked to his barbershop at 207 Henry Street on the Lower East Side of Manhattan, about half a mile from our apartment. He returned after dark. The family ate dinner together on Sundays and Jewish holidays. Mainly he ate alone. I don’t remember him staying home from work because of illness or bad weather. He took few vacations. Once we spent a week in Miami and he tried to enjoy himself, wading into the ocean, being brave, stepping inch by inch into the warm blue unpredictable immensity. Then he slipped. In water no higher than his pupik, he came up thrashing, struggling back up the beach on skinny white legs. “I nearly drowned,” he said, very exhilarated. He never went into the water again. He preferred his barbershop to the natural world; retiring, after thirty-five years, only when his hands trembled too much for scissors and razors, and angina made it impossible for him to stand for hours at a time. Then he took walks in the neighborhood, carrying a vial of whiskey in his shirt pocket. When pain stopped him in the street, he’d stand very still and sip his whiskey. A few times I stood beside him, as still as he, waiting for the pain to end, both of us speechless and frightened.
And so, as you make your resolutions regarding the kind of person you would try to be this year, enjoy these considered efforts by three writers who tried, honestly and successfully, to document the kind of people they (and those they knew) were. You can read the continuation of the Orwell here (or here), the Graves here, and the Michaels here,).
And a very happy—by the way—new year.
More from Wyatt Mason:
Conversation — October 2, 2015, 8:26 am
“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”
Years ago, I lived in Montana, a land of purple sunsets, clear streams, and snowflakes the size of silver dollars drifting through the cold air. There were no speed limits and you could legally drive drunk. My small apartment in Missoula had little privacy. In order to write, I rented an off-season fishing cabin on Rock Creek, a one-room place with a bed and a bureau. I lacked the budget for a desk. My idea was to remove a sliding door from a closet in my apartment and place it over a couple of hastily cobbled-together sawhorses.
Average number of bacteria living in a pound of U.S. mud:
Canadian doctors saved a baby from drowning in his own drool by using Botox on his salivary glands.
A black bear named Pedals, famous for walking upright on his hind legs through Rockaway Township, New Jersey, was reported killed by a hunter, and a hiker in California was attacked after he interrupted two bears mating. It was a “pretty good bear attack,” said the local police chief.
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"She never thanked me, never looked at me—melted away into the miserable night, in the strangest manner I ever saw. I have seen many strange things, but not one that has left a deeper impression on my memory than the dull impassive way in which that worn-out heap of misery took that piece of money, and was lost."