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With all the dark talk this week about the falsity and mediocrity of memoir, it seems only fair to celebrate three bright examples of memoir at its best. Neither of the longer suggestions is available in full online, but both can be started that way (and by beginning to read them, I suspect that you’ll quickly find yourself arranging to finish them, one way or another).
George Orwell’s Down and Out in Paris and London contains the single finest piece of writing about the astonishingly degrading (and delightful) experience of working in a restaurant that I know. What, in Anthony Bourdin, becomes broad comedy of some charm but little depth, Orwell treats of with Dante’s deep attention to and empathy for the sinners stuck in his hell. Orwell’s Parisian recollections begin like this:
The Rue du Coq d’Or, Paris, seven in the morning. A succession of furious, choking yells from the street. Madame Monce, who kept the little hotel opposite mine, had come out on to the pavement to address a lodger on the third floor. Her bare feet were stuck into sabots and her grey hair was streaming down.
Madame Monce: ‘Sacrée salope! How many times have I told you not to squash bugs on the wallpaper? Do you think you’ve bought the hotel, eh? Why can’t you throw them out of the window like everyone else? Espèce de traînée!’
The woman on the third floor: ‘Va donc, eh! vieille vache!’
Thereupon a whole variegated chorus of yells, as windows were flung open on every side and half the street joined in the quarrel. They shut up abruptly ten minutes later, when a squadron of cavalry rode past and people stopped shouting to look at them.
Robert Graves’s Goodbye to all That is my favorite full length memoir. Its author’s candor, not to say the fine peculiarity of his mind, should be examples to anyone who would think to examine his or her lived life in print. Graves begins, fittingly and frankly, this way:
The objects of this autobiography, written at the age of thirty-three, are simple enough: an opportunity for a formal good-bye to you and to you and to you and to me and to all that; forgetfulness, because once all this has been settled in my mind and written down and published it need never be thought about again; money.’
Finally, I’d suggest you read or reread my favorite short memoir, Leonard Michaels’s “My Father,” which begins:
Six days a week he rose early, dressed, ate breakfast alone, put on his hat, and walked to his barbershop at 207 Henry Street on the Lower East Side of Manhattan, about half a mile from our apartment. He returned after dark. The family ate dinner together on Sundays and Jewish holidays. Mainly he ate alone. I don’t remember him staying home from work because of illness or bad weather. He took few vacations. Once we spent a week in Miami and he tried to enjoy himself, wading into the ocean, being brave, stepping inch by inch into the warm blue unpredictable immensity. Then he slipped. In water no higher than his pupik, he came up thrashing, struggling back up the beach on skinny white legs. “I nearly drowned,” he said, very exhilarated. He never went into the water again. He preferred his barbershop to the natural world; retiring, after thirty-five years, only when his hands trembled too much for scissors and razors, and angina made it impossible for him to stand for hours at a time. Then he took walks in the neighborhood, carrying a vial of whiskey in his shirt pocket. When pain stopped him in the street, he’d stand very still and sip his whiskey. A few times I stood beside him, as still as he, waiting for the pain to end, both of us speechless and frightened.
And so, as you make your resolutions regarding the kind of person you would try to be this year, enjoy these considered efforts by three writers who tried, honestly and successfully, to document the kind of people they (and those they knew) were. You can read the continuation of the Orwell here (or here), the Graves here, and the Michaels here,).
And a very happy—by the way—new year.
More from Wyatt Mason:
Conversation — October 2, 2015, 8:26 am
“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”
In Havana, the past year has been marked by a parade of bold-faced names from the north — John Kerry reopening the United States Embassy; Andrew Cuomo bringing a delegation of American business leaders; celebrities ranging from Joe Torre, traveling on behalf of Major League Baseball to oversee an exhibition game between the Tampa Bay Rays and the Cuban national team, to Jimmy Buffett, said to be considering opening one of his Margaritaville restaurants there. All this culminated with a three-day trip in March by Barack Obama, the first American president to visit Cuba since Calvin Coolidge in 1928. But to those who know the city well, perhaps nothing said as much about the transformation of political relations between the United States and Cuba that began in December 2014 as a concert in the Tribuna Antiimperialista.
Amount traders on the Philadelphia Stock Exchange can be fined for fighting, per punch:
Philadelphian teenagers who want to lose weight also tend to drink too much soda, whereas Bostonian teenagers who drink too much soda are likelier to carry guns.
Nuremberg’s Neues Museum filed a criminal complaint against a 91-year-old woman who completed a crossword puzzle that was in fact a $116,000 piece of avant-garde Danish art.
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“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”