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Passan vostri triomphi e vostre pompe,
Passan le signorie, passano i regni;
Ogni cosa mortal temp’interrompe;
E ritolta a men buon, non da à piu degni:
E non pur quel di fuor il tempo solve,
Ma le vostr’eloquentie e i vostri ingegni.
Cosi fuggend’, il mondo seco volve;
Ne mai si posa ne s’arest’ o torna,
Fin che v’ha ricondotti in poca polve.
Your triumphs and your pomp transpire,
The nobility passes and kingdoms crumble,
Time brings low all mortal things;
And what he reaps from those less good, he does not pass to those more worthy:
And not only the superficial things are laid waste by time,
But also your eloquence and works of genius.
Thus sped along, the world moves with him;
He takes no time to rest; neither does he stop nor turn from his appointed course,
Until in the end he has transformed you back to your essence: a bit of dust.
–Francesco Petrarca, Trionfo del Tempo (The Triumph of Time), v. 112-120 (S.H. transl.) (ca. 1352)
Listen to Orlando di Lasso’s setting of Petrarcha’s Passan vostri triomphi e vostre pompe (Your triumphs and pomp transpire) from Trionfo del Tempo (vv. 112-120) as a madrigal for 11 voices, a masterpiece of the late polyphonic tradition, here in a purely instrumental performance.
And listen here for a vocal performance by the Orlando di Lasso Ensemble.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
Chance that an American would give up at least one week of life to avoid taking a pill every day:
Iowa urologists reported that only a minor portion of locker-room teasing arises from “the presence of excess foreskin”; most teasing targets small penises.
A pair of Russian film directors asked President Vladimir Putin to invest $18 million in a new restaurant chain intended to drive McDonald’s out of the Russian market. “Every project these days,” a Russian television personality said of the proposal, “must be smothered in patriotic sauce.”
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”