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I know you, and the lofty spirit you bear,
And easily ravel out a clue to all.
These are the trials meet for such as you,
Nor must you hope exemption : to be mortal
Is to be plied with trials manifold.
Look round! The obstacles which kept the rest
Of men from your ambition, you have spurned :
Their fears, their doubts, the chains that bind them best,
Were flax before your resolute soul, which nought
Avails to awe, save these delusions, bred
From its own strength, its selfsame strength, disguised—
Mocking itself. Be brave, dear Aureole ! Since
The rabbit has his shade to frighten him,
The fawn his rustling bough, mortals their cares,
And higher natures yet their power to laugh
At these entangling fantasies, as you
At trammels of a weaker intellect.
Measure your mind’s height by the shade it casts!
I know you.
–Robert Browning, Paracelsus, act iii (1850)
Listen to the final chorus of Franz Liszt’s Faust Symphony (1857) in a performance by the Bayreuth Festival Orchestra conducted by Daniel Barenboim
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
Length in days of the sentence Russian blogger Alexei Navalny served for leading an opposition rally last year:
Israeli researchers developed software that evaluates the depression of bloggers.
A teenager in Singapore was convicted of obscenity for posts critical of Lee Kuan Yew, the country’s founding father, that included an image of Lee having sex with Margaret Thatcher.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”