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I know you, and the lofty spirit you bear,
And easily ravel out a clue to all.
These are the trials meet for such as you,
Nor must you hope exemption : to be mortal
Is to be plied with trials manifold.
Look round! The obstacles which kept the rest
Of men from your ambition, you have spurned :
Their fears, their doubts, the chains that bind them best,
Were flax before your resolute soul, which nought
Avails to awe, save these delusions, bred
From its own strength, its selfsame strength, disguised—
Mocking itself. Be brave, dear Aureole ! Since
The rabbit has his shade to frighten him,
The fawn his rustling bough, mortals their cares,
And higher natures yet their power to laugh
At these entangling fantasies, as you
At trammels of a weaker intellect.
Measure your mind’s height by the shade it casts!
I know you.
–Robert Browning, Paracelsus, act iii (1850)
Listen to the final chorus of Franz Liszt’s Faust Symphony (1857) in a performance by the Bayreuth Festival Orchestra conducted by Daniel Barenboim
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
Number of African countries with vaccination rates higher than that of the United States:
Iowa urologists reported that only a minor portion of locker-room teasing arises from “the presence of excess foreskin”; most teasing targets small penises.
A farmer in Surrey, England, was ordered by the Reigate and Banstead Borough Council to tear down his cannon-equipped castle, which he had built secretly and then concealed behind hay bales.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”