Washington Babylon — March 6, 2009, 9:24 am

Media Fuels Tale of Obama-Limbaugh “Feud”

“GOP Fights Back Over Criticism of Limbaugh,” ran the headline in today’s Washington Post. “White House Is Accused Of Cynicism, Hypocrisy.” The accompanying story was written by Howard Kurtz and was an epic example of building a “conflict” around partisan talking points, which are accepted at face value instead of being treated as self-evident political spin.

Kurtz’s latest effort was highly similar to a campaign piece he wrote last year in which Steve Schmidt, John McCain’s top campaign strategist, complained bitterly (in an exclusive interview with water-carrier Kurtz) that the news media was “on a mission to destroy” Sarah Palin and that the McCain camp was in the middle of the worst media “feeding frenzy” that Schmidt had ever seen. Kurtz dubbed Schmidt’s banal and self-serving remarks as “extraordinary and emotional” and expressed amazement that McCain’s man had “talked openly about his frustrations.” Stunning stuff, indeed.

Now, Kurtz has again found angry Republicans, this time Senator John Cornyn, who calls the White House’s attacks on Limbaugh an “outrage” that “reeks of hypocrisy coming from a president who campaigned against these very cynical political tactics last fall.” House Minority Leader John Boehner is also upset; he’s “accusing the White House of cynicism.” In another shocking discovery, Limbaugh says he is mad too, comparing his treatment at the hands of White House ruffians to Richard Nixon’s “enemies list.” (The Nixon White House, as described in a memorandum written by John Dean, was examining “how we can [secretly] use the available federal machinery to screw our political enemies,” whereas the only impact of the Obama administration’s open attacks on Limbaugh thus far have been to double his dwindling ratings.)

Is the Obama administration actually being cynical in attacking Limbaugh and seeking to exploit this “feud” for political purposes? Of course it is — this is politics, what else is new? The Republicans do the same thing all the time, as one would expect. As noted in the Kurtz piece:

Mark McKinnon, a top adviser in President George W. Bush’s campaigns, acknowledged the value of picking a divisive opponent. “We used a similar strategy by making Michael Moore the face of the Democratic Party,” he said of the documentary filmmaker. “That’s why we gave him credentials to cover the 2004 convention and then turned the spotlight on him.”

Were Cornyn and Boehner outraged about that? Was the media?

Share
Single Page

More from Ken Silverstein:

Commentary November 17, 2015, 6:41 pm

Shaky Foundations

The Clintons’ so-called charitable enterprise has served as a vehicle to launder money and to enrich family friends.

From the November 2013 issue

Dirty South

The foul legacy of Louisiana oil

Perspective October 23, 2013, 8:00 am

On Brining and Dining

How pro-oil Louisiana politicians have shaped American environmental policy

Get access to 165 years of
Harper’s for only $45.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

June 2016

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today