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Just because there’s still a Justice Department investigation rattling around you doesn’t mean lobbyists can’t contribute to buying a portrait for you to hang in your congressional committee’s hearing room. But don’t reach for those checkbooks. The effort to raise $30,000 for a portrait of Rep. Jerry Lewis (R-Calif.), former chairman and now ranking GOP member of the House Appropriations Committee, has met its goal, we hear.
The investigation, a subset of the probe of disgraced former lobbyist Jack Abramoff, apparently has been dormant for a while, indicating Lewis is in pretty good legal shape. And even if the investigation heats up, there’s no worry that Lewis’s portrait won’t be hanging soon in the hearing room — even if he’s indicted and convicted. After all, former House Ways and Means Committee chairman Dan Rostenkowski (D-Ill.) pleaded guilty to two counts of mail fraud in the House Post Office scandal and did over a year in the slammer, and his portrait proudly hangs in that hearing room.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”