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Uzi Arad, who is expected to serve as national security adviser in the next Israeli government, has been barred from entering the United States for nearly two years on the grounds that he is an intelligence risk. Mr. Arad, a former member and director of intelligence for the Mossad, Israel’s spy service, is mentioned in the indictment of Lawrence Franklin, a former Pentagon analyst who pleaded guilty in 2005 to providing classified information about Iran in a conversation with two employees of the American Israel Public Affairs Committee (AIPAC).
Beyond Mr. Arad’s status, Prime Minister-designate Benjamin Netanyahu is likely to face difficulties abroad because of his choice, announced Monday, of Avigdor Lieberman to serve as foreign minister in a narrow new rightist government. Mr. Lieberman, head of the Israel Is Our Home party, has advocated requiring Israel’s 1.46 million Arabs to take a loyalty test or risk expulsion.
The choice of Mr. Arad for national security adviser has been reported in the Israeli press and was confirmed by sources close to Mr. Netanyahu, who has been tasked with forming the next government. Mr. Arad acknowledged to The Washington Times that he has not been able to obtain a visa to come to the United States but said the Israeli government is trying to change that.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”