Sentences — March 27, 2009, 3:41 pm

Weekend Read: “What went wrong in Germany”

lesbienveillantes Jonathan Littell’s second novel, The Kindly Ones, has gotten a good deal of attention. There has been no shortage of reviews, from which composite one can glean a picture of the book and of the author’s ambition. I should say I have read some of the novel, have not finished it–though I have had long conversations about it with someone close to me as she marches slowly through its pages. I’ll finish the book at some point, though not with the expectation that I’ll find a novel I’ll treasure (of course I welcome the possibility of being surprised).

The long review essay of the novel that so far speaks most to my ideas of how a novel works or doesn’t is by Ruth Franklin. I often disagree with Franklin’s takes, but find such disagreements profitable: they clarify why I believe what I do, while nonetheless allowing me to respect what she does.

Franklin sounds only sensible in her report of the Littell. Early, she tells us:

The Kindly Ones is not an important novel, because it fails absolutely to add anything of significance to our understanding of its subject, which is nothing less than the most perplexing question of modernity. How could human beings undertake–and successfully carry out–an unprecedented systematic program of mass extermination against other human beings? Over the course of the sixty-four years since the end of World War II, this question has been examined energetically, if not exhaustively, by historians, philosophers, novelists, poets, psychologists, and politicians. In her seminal account of the Eichmann trial, Hannah Arendt set the terms of the debate by arguing that the majority of the Nazis were not– as psychologists had previously believed– monsters in some form: sadists, psychopaths, perverts, or homicidal maniacs. They were, the overwhelming majority of them, unremarkable men, “small cogs” in a killing machine, who showed little initiative of their own but were prepared to obey orders unquestioningly and then go to dinner.

Franklin is also at work on a book about the literature of the Holocaust, so the Littell is located within her current critical wheelhouse. I’ll be curious to see how this essay gets changed to fit the exegeses of her finished book–but for now I suggest you read her “Night and Cog” as your weekend read.

Share
Single Page

More from Wyatt Mason:

Conversation October 2, 2015, 8:26 am

Permission to Speak Frankly

“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”

From the October 2014 issue

You Are Not Alone Across Time

Using Sophocles to treat PTSD

From the February 2010 issue

The untamed

Joshua Ferris’s restless-novel syndrome

Get access to 165 years of
Harper’s for only $45.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

July 2016

The Ideology of Isolation

= Subscribers only.
Sign in here.
Subscribe here.

American Idle

= Subscribers only.
Sign in here.
Subscribe here.

My Holy Land Vacation

= Subscribers only.
Sign in here.
Subscribe here.

The City That Bleeds

= Subscribers only.
Sign in here.
Subscribe here.

El Bloqueo

= Subscribers only.
Sign in here.
Subscribe here.

Vladivostok Station

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
My Holy Land Vacation·

= Subscribers only.
Sign in here.
Subscribe here.

"I wanted to more fully understand why conservative politics had become synonymous with no-questions-asked support of Israel."
Illustration (detail) by Matthew Richardson
Post
Inside the July Issue·

= Subscribers only.
Sign in here.
Subscribe here.

Tom Bissell on touring Israel with Christian Zionists, Joy Gordon on the Cuban embargo, Lawrence Jackson on Freddie Gray and the makings of an American uprising, a story by Paul Yoon, and more

Freddie Gray’s relatives arrived for the trial in the afternoon, after the prep-school kids had left. By their dress, they seemed to have just gotten off work in the medical and clerical fields. The family did not appear at ease in the courtroom. They winced and dropped their heads as William Porter and his fellow officer Zachary Novak testified to opening the doors of their police van last April and finding Freddie paralyzed, unresponsive, with mucus pooling at his mouth and nose. Four women and one man mournfully listened as the officers described needing to get gloves before they could touch him.

The first of six Baltimore police officers to be brought before the court for their treatment of Freddie Gray, a black twenty-five-year-old whose death in their custody was the immediate cause of the city’s uprising last spring, William Porter is young, black, and on trial. Here in this courtroom, in this city, in this nation, race and the future seem so intertwined as to be the same thing.

Artwork: Camels, Jerusalem (detail) copyright Martin Parr/Magnum Photos
Post
Europe’s Hamilton Moment·

= Subscribers only.
Sign in here.
Subscribe here.

"We all know in France that as soon as a politician starts saying that some problem will be solved at the European level, that means no one is going to do anything."
Photograph (detail) by Stefan Boness
[Report]
How to Make Your Own AR-15·

= Subscribers only.
Sign in here.
Subscribe here.

Even if federal gun-control advocates got everything they wanted, they couldn’t prevent America’s most popular rifle from being made, sold, and used. Understanding why this is true requires an examination of how the firearm is made.
Illustration by Jeremy Traum
Article
The City That Bleeds·

= Subscribers only.
Sign in here.
Subscribe here.

"Here in this courtroom, in this city, in this nation, race and the future seem so intertwined as to be the same thing."
Photograph (detail) © Wil Sands/Fractures Collective

Minimum number of cats fitted with high-tech listening equipment in a 1967 CIA project:

1

Zoologists suggested that apes and humans share an ancestor who laughed.

A former prison in Philadelphia that has served as a horror-movie set was being prepared as a detention center for protesters arrested at the upcoming Democratic National Convention, and presumptive Republican presidential nominee Donald Trump fired his campaign manager.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today