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“Last year, Veoh, a video-sharing site operated from San Diego, decided to block its service from users in Africa, Asia, Latin America and Eastern Europe, citing the dim prospects of making money and the high cost of delivering video there. ‘I believe in free, open communications,’ Dmitry Shapiro, the company’s chief executive, said. ‘But these people are so hungry for this content. They sit and they watch and watch and watch. The problem is they are eating up bandwidth, and it’s very difficult to derive revenue from it.’”
“The attack on pandemic preparation became so central to the GOP strategies that AP reported in February: ‘Republicans, meanwhile, plan to push for broader and deeper tax cuts, to trim major spending provisions that support Democrats’ longer-term policy goals, and to try to knock out what they consider questionable spending items, such as $870 million to combat the flu and $400 million to slow the spread of HIV and other sexually transmitted diseases.’”
“The partial closure of Rivercrest Drive, brought about through a 12-year campaign by a small community of wealthy, powerful Houstonians who wanted to shut off their street from cut-through traffic, has kicked up dust all the way from City Council to the Texas Legislature. On one hand are people like Oliveira in Briargrove Park, who cannot understand why the city permitted an action they believe has sent far more cars into their neighborhood, without so much as a public hearing on the matter.” (via)
“Zimerman has had problems in the United States in recent years. He travels with his own Steinway piano, which he has altered himself. But shortly after 9/11, the instrument was confiscated at JFK Airport when he landed in New York to give a recital at Carnegie Hall. Thinking the glue smelled funny, the TSA decided to take no chances and destroyed the instrument. Since then he has shipped his pianos in parts, which he reassembles by hand after he lands.” (via)
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”