No Comment, Quotation — April 26, 2009, 8:25 am

Opitz – Jetzund kömpt die Nacht herbey

23conce

Jetzund kömpt die Nacht herbey,
Vieh und Menschen werden frey,
Die gewüntschte Ruh geht an;
Meine Sorge kömpt heran.

Schöne gläntzt der Mondenschein;
Vnd die Gülden Sternelein;
Froh ist alles weit vnd breit,
Ich nur bin in Trawrigkeit.

Zweene mangeln uberall
An der schönen Sternen Zahl;
Diese Sternen die ich mein’
Ist der Liebsten Augenschein.

Nach dem Monden frag’ ich nicht,
Tunckel ist der Sternen Liecht;
Weil sich von mir weggewendt
Asteris mein Firmament.

Wann sich aber neigt zu mir
Dieser meiner Sonnen Ziehr,
Acht’ ich es das beste seyn,
Daß kein Stern noch Monde schein.

And now the night descends,
Beast and man gain their freedom,
The rest they hope for has come;
But now my sorrow descends.

The moonlight shines beautifully;
And the tiny golden stars;
Everything is happy, far and wide;
Only I am trapped in sorrow.

Everywhere two are missing
In the count of beautiful stars;
These stars that I mean
Radiate from the eyes of my beloved.

I ask not for the stars,
Dark is their light,
Because she has turned her back on me,
Asteris, my firmament.

But when she shows her inclination to me,
She, the ornament of my suns,
Then I think it best
That neither star nor moon shines.

Martin Opitz, Ode IV: Jetzund kömpt die Nacht herbey from Oden und Gesänge (1618)(S.H. transl.)

This is a relatively youthful and simple composition by the great Silesian Baroque poet Martin Opitz. Listen to Andreas Scholl sing Johann Nauwach’s setting of the poem taken from Teutsche Villanellen (1627), one of the pioneering works of the art song format north of the Alps. The art song was extremely well established at this time in Italy, and Nauwach, who studied music in Italy and was well versed in its forms appears here to be importing the continuo song which was well settled in the Italian north.

His settings of the Opitz odes were popular across middle Europe, and we have evidence of their performance in Delft at the time of Vermeer. They were designed to be sung with accompaniment on harpsichord, bass or lute, or a combination of these instruments. Hence, the Vermeer painting “The Concert” matches the performance that Nauwach envisions (note that one woman sits at the harpsichord, the man with his back to the artist holds a lute, and the standing woman holds and sings from a text, while a bass lies on the floor in the foreground–this is the specific casting of Jetzund kömpt die Nacht herbey). Was Vermeer portraying a performance of Nauwach’s Opitz Lieder? They stood at the core of the repertoire at this time, and the emotional timber they deftly use, light and darkness, love and sorrow, come close to the palette and technique of Vermeer.

Share
Single Page

More from Scott Horton:

Six Questions October 18, 2014, 8:00 pm

The APA Grapples with Its Torture Demons: Six Questions for Nathaniel Raymond

Nathaniel Raymond on CIA interrogation techniques.

No Comment, Six Questions June 4, 2014, 8:00 am

Uncovering the Cover Ups: Death Camp in Delta

Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp

From the June 2014 issue

The Guantánamo “Suicides,” Revisited

A missing document suggests a possible CIA cover-up

Get access to 164 years of
Harper’s for only $39.99

United States Canada

  • www.dadaforest.com

    Thank you~ so much

CATEGORIES

THE CURRENT ISSUE

November 2014

Stop Hillary!

= Subscribers only.
Sign in here.
Subscribe here.

How the Islamic State was Won

= Subscribers only.
Sign in here.
Subscribe here.

Cage Wars

= Subscribers only.
Sign in here.
Subscribe here.

Everyday Grace

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Stop Hillary!·

= Subscribers only.
Sign in here.
Subscribe here.

"What Hillary will deliver, then, is more of the same. And that shouldn’t surprise us."
Photograph by Joe Raedle
Article
Cage Wars·

= Subscribers only.
Sign in here.
Subscribe here.

"In the 1970s, “Chickens’ Lib” was a handful of women in flower-print dresses holding signs, but in the past decade farm hens have become almost a national preoccupation."
Photograph by Adam Dickerson/Big Dutchman USA, courtesy Vande Bunte Farms
Article
Paradise Lost·

= Subscribers only.
Sign in here.
Subscribe here.

"Suffering Sappho! Here we still are, marching right into yet another century with our glass ceilings, unequal pay, unresolved work and child-care balance, and still marrying, forever marrying, men."
Illustration by Anthony Lister
Article
Off the Land·

= Subscribers only.
Sign in here.
Subscribe here.

"Nearly half the reservation lives below the poverty line, with unemployment as high as 60 percent, little to no infrastructure, few entitlements, a safety net that never was, no industry to speak of, and a housing crisis that has been dire not for five years but since the reservation’s founding in 1855."
Illustration by Stan Fellows
Post
Introducing the November 2014 Issue·

= Subscribers only.
Sign in here.
Subscribe here.

Doug Henwood on stopping Hillary Clinton, fighters and potential recruits discuss the rise of the Islamic State, the inevitability of factory farming, and more

Cover photo by Reuters/Jonathan Ernst

Number of countries thought to possess chemical weapons:

14–16

Placebos are more effective if the drugs for which they stand in are said to be more expensive.

In Torrance, California, an African grey parrot named Nigel, who once spoke English with a British accent and had returned home after a four-year absence, began asking for someone named “Larry” and speaking Spanish.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

In Praise of Idleness

By

I hope that after reading the following pages the leaders of the Y. M. C. A. will start a campaign to induce good young men to do nothing. If so, I shall not have lived in vain.

Subscribe Today