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When reading this:
A video tape smuggled out of the United Arab Emirates shows a member of the country’s royal family mercilessly torturing a man with whips, electric cattle prods and wooden planks with protruding nails. A man in a UAE police uniform is seen on the tape tying the victim’s arms and legs, and later holding him down as the Sheikh pours salt on the man’s wounds and then drives over him with his Mercedes SUV.
In a statement to ABC News, the UAE Ministry of the Interior said it had reviewed the tape and acknowledged the involvement of Sheikh Issa bin Zayed al Nahyan, brother of the country’s crown prince, Sheikh Mohammed. “The incidents depicted in the video tapes were not part of a pattern of behavior,” the Interior Ministry’s statement declared…The government statement said its review found “all rules, policies and procedures were followed correctly by the Police Department.” ABC News
It’s worth remembering this:
“UAE is a committed ally in the war on terror. They are a key partner for our military in a critical region…“They’re sharing intelligence so we can hunt down the terrorists.” — President Bush, March 10, 2006.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”