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Nearly eight months after Election Day, Al Franken, a former comedian and an author, appeared certain on Tuesday to become the next United States senator from Minnesota, giving the Democratic Party at least symbolic control over Senate filibusters.
Outside his St. Paul home, the incumbent, Norm Coleman, a Republican who had held the seat for one term, conceded the election to Mr. Franken, bringing an end to a lengthy battle that had resulted in thousands of pages of legal documents, cost tens of thousands of dollars, and had left many ordinary Minnesotans weary.
Mr. Coleman’s announcement followed a unanimous state Supreme Court ruling on Tuesday in Mr. Franken’s favor. There, the case had centered, in part, around whether some absentee ballots had been wrongly excluded and standards had been inconsistent, as Mr. Coleman contended.
Finally Americans will get the opportunity to see what it looks like when a filibuster-proof majority is squandered.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”