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There is a too casual narrative among us on the ability of the Internet to form grassroots movements. It was embraced by Howard Dean and David Plouffe, who of course are not leaders of a movement, but successful canvassers for an established political party. Their use of the term ‘movement’ might make us feel sexier as we part with a few dollars, but that is precisely what good advertising does. One senses that the bold statements now made for the influence in Iran of sites like YouTube, Facebook, and Twitter are driven first and foremost by our attitudes toward our media environment, which claims to be more inclusive and democratic than ever before. The advent of the camera phone might assure that we receive more images of the event, and receive them more quickly, but has yet to demonstrate an ability to affect the event’s outcome. The Web might make it easier to organize a demonstration, but Iran proved itself capable of producing demonstrations long ago.–“Will the Revolution be Tweeted,” Feisal G. Mohamed, Dissent
Sadly, and to my horror, I am divorcing. This was a 20-year partnership. My husband is a good man, though he did travel 20 weeks a year for work. I am a 47-year-old woman whose commitment to monogamy, at the very end, came unglued. This turn of events was a surprise. I don’t generally even enjoy men; I had an entirely manageable life and planned to go to my grave taking with me, as I do most nights to my bed, a glass of merlot and a good book. Cataclysmically changed, I disclosed everything. We cried, we rent our hair, we bewailed the fate of our children. And yet at the end of the day— literally during a five o’clock counseling appointment, as the golden late-afternoon sunlight spilled over the wall of Balinese masks—when given the final choice by our longtime family therapist, who stands in as our shaman, mother, or priest, I realized… no…. Sobered by this failure as a mother—which is to say, my failure as a wife— I’ve since begun a journey of reading, thinking, and listening to what’s going on in other 21st-century American families. And along the way, I’ve begun to wonder, what with all the abject and swallowed misery: Why do we still insist on marriage? Sure, it made sense to agrarian families before 1900, when to farm the land, one needed two spouses, grandparents, and a raft of children. But now that we have white-collar work and washing machines, and our life expectancy has shot from 47 to 77, isn’t the idea of lifelong marriage obsolete? –“Let’s Call the Whole Thing Off,” Sandra Tsing Loh, The Atlantic
The old liberal vision of a total separation of religion from politics has been discredited. Despite growing secularization, a secular progressive majority is still impossible, and a new two-part approach is needed–one that first admits that there is no political wall of separation. Voters must be allowed, without criticism, to propose policies based on religious belief. But, when government speaks and acts, messages must be universal. The burden is on religious believers, therefore, to explain public references like “under God” in universal terms. For example, the word “God” can refer to the ceaseless creativity of the universe and the objective validity of human rights. Promoting and accepting religious images as universal will help heal culture-war divisions and promote the formation of a broad-based progressive coalition. –“A New Progressive Vision for Church and State,” Nets Root Nation
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”