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Just because it’s always good to look at the past with open eyes, here’s a new piece by Matt Dallek:
Criticism of Reagan has been largely absent from the political discourse of the nation. Reagan’s most ardent supporters have refused to tolerate it. During the week of his funeral, “Those who weren’t remembering Reagan in the politically approved way—who credited him for his gracious demeanor, say, or sense of humor—were derided as patronizing,” wrote Thomas Kunkel, dean of the University of Maryland College of Journalism. “And those who actually had the audacity to point out that as president, Reagan alienated millions of people at home and abroad, were blasted as unpatriotic.” When CBS announced plans to air an unflattering television mini-series about Ronald and Nancy Reagan in 2003, conservatives boycotted the network. Republican National Committee Chairman Ed Gillespie called upon CBS to provide disclaimers announcing that the program was fiction. Instead, CBS canceled it and the cable network Showtime ran the series. When Barack Obama announced during the 2008 presidential campaign that he wanted to engage Iran using diplomacy, as Reagan had once done with the Soviet Union, William J. Bennett, Reagan’s secretary of education, responded by co-writing an article in National Review taking umbrage at any comparison between Reagan and Obama.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”