No Comment — June 2, 2009, 1:52 pm

The Familiar Face of the New RNC

Four months after he left office, the media image of Dick Cheney has been amazingly transformed. He’s gone from being a reclusive man of few words to a poster figure for the Republican party. Indeed, Newsweek’s Howard Fineman has taken to talking about the new RNC—the party of Rush, Newt and Cheney—none of them elected officeholders. Of the three, Cheney has the most claim on the gravitas that is associated with the exercise of power. In an essay in the current Nation, Stephen Holmes takes a penetrating look at this contemporary man of power through a discussion of Bart Gellman’s hallmark book, Angler. (I interviewed Gellman about the book here). Thrust onto the public stage, Cheney shows no sign of being the wise statesman who carefully assesses a problem from all sides before pronouncing his judgment. Holmes cites Cheney’s ongoing campaign for the release of a few classified CIA memos as a case in point:

Does he truly believe that in-house memorandums, containing publicly unchallenged and untested allegations, could conclusively prove that harsh interrogation techniques, including waterboarding, produced intelligence that helped disrupt an imminent terror attack? Or is he playing smoke and mirrors, seeding the airwaves with sensational talking points to put his critics on the defensive?

We won’t be able to make a final call on that without having seen the memos and related documents, but there is a touch of desperation about the current operation. In just the last forty-eight hours, for example, Cheney has insisted that he never linked Saddam Hussein to 9/11, and he has placed the blame for 9/11 squarely on the shoulders of Richard Clarke. One contention is squarely contrary to the established record, and the other is a demonstration of amazing chutzpah, coming from an individual who dismissed the terrorist threat as Clarke was pushing for a programmatic response to it.

Gellman’s account, for all its critical insights, is ultimately a very sympathetic one. “Cheney really believes he is acting in the country’s best interests,” Gellman recently insisted to me. Still, much of the brilliance of Angler lies in its quiet, methodical exposure of the contradictions in many of Cheney’s supposedly deeply held beliefs, which seem to shift as the personal interests of Dick Cheney point in another direction. Holmes captures this well:

Gellman’s account of executive branch mendacity raises several intriguing questions. Was Cheney’s devotion to unrestrained executive power, including the right to mislead supposedly coequal branches, partisan or nonpartisan? Is Cheney a man of rigid principles, heedless of political consequences, or an opportunist, embracing and dropping principles as expediency demands? Was his zeal to restore the Imperial Presidency, as it had been fully imagined but incompletely realized by Nixon, an expression of factional loyalty or of constitutional conviction? Did he do it for the sake of Bush and his political goals, or for the sake of the executive branch, present and future?

The idealistic, patriotic Cheney is an increasingly difficult sell. As Cheney becomes a more public person and the weakness or even delusional nature of his thinking is exposed, the assessments are more likely to be those with which Holmes closes:

Lincoln said, optimistically, that you cannot fool all of the people all of the time. But a better epitaph for Cheney’s vice presidency comes from Joseph Schumpeter: even if you cannot fool all of the people all of the time, you can fool enough people long enough to do irreversible damage. Whatever hypotheses we entertain or reject about Cheney’s motives and mental states, the consequences of his serial duplicities continue to misshape our world and will not, by any means, be soon repaired.

Share
Single Page

More from Scott Horton:

Conversation March 30, 2016, 3:44 pm

Burn Pits

Joseph Hickman discusses his new book, The Burn Pits, which tells the story of thousands of U.S. soldiers who, after returning from Iraq and Afghanistan, have developed rare cancers and respiratory diseases.

Context, No Comment August 28, 2015, 12:16 pm

Beltway Secrecy

In five easy lessons

From the April 2015 issue

Company Men

Torture, treachery, and the CIA

Get access to 165 years of
Harper’s for only $45.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

June 2016

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today