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In the New York Times, Nicholas Kristof remembers what transpired twenty years ago today on and around Tiananmen Square in Beijing. “So, 20 years later, what happened to that bold yearning for democracy?,” he asks.
One answer is that most energy has been diverted to making money, partly because it’s a safer outlet… Another answer is that many of those rickshaw drivers and bus drivers and others in 1989 were demanding not precisely a parliamentary democracy, but a better life—and they got it.
But the power of the memories of twenty years ago is captured in a fascinating front-page Times story on Chen Guang, who witnessed the events as a 17-year-old soldier from the countryside, and now, haunted by those fateful days, marks the events in art that the government works hard to suppress.
If you haven’t done so, today is the right day to read my interview with dissident Chinese playwright Sha Yexin, and particularly his words about a writer’s relationship with power:
If you are a writer who writes for power, objectively you are working, directly or indirectly, for corruption and stupidity, for more suffering and cruelty for the people. You may have some excuses if you are forced to write for power. If you write for power out of your own will, how can you evade your responsibility as an accomplice? As may be easily understood, what I am speaking about is power in a totalitarian state. It is power without oversight and constraints, as compared with power born from democratic elections. Refusing to write for power also means refusing to write according to the will of those in power, or to promote their ideology in one’s writings. One may choose to write for any other purpose: to write for art, for life, for oneself or others. But he or she must not write for power.
As he stresses, Sha is talking about a totalitarian society, but the tendency and problems that he identifies also occur in democracies.
More from Scott Horton:
Conversation — August 5, 2016, 12:08 pm
Sidney Blumenthal on the origins of the Republican Party, the fallout from Clinton’s emails, and his new biography of Abraham Lincoln
Conversation — March 30, 2016, 3:44 pm
Joseph Hickman discusses his new book, The Burn Pits, which tells the story of thousands of U.S. soldiers who, after returning from Iraq and Afghanistan, have developed rare cancers and respiratory diseases.
Flor Arely Sánchez had been in bed with a fever and pains throughout her body for three days when a July thunderstorm broke over the mountainside. She got nervous when bolts of light flashed in the sky. Lightning strikes the San Julián region of western El Salvador several times a year, and her neighbors fear storms more than they fear the march of diseases — first dengue, then chikungunya, now Zika. Flor worried about a lot of things, since she was pregnant.
Late in the afternoon, when the pains had somewhat eased, Flor thought she might go to a dammed-up bit of the river near her house to bathe. She is thirty-five and has lived in the same place all her life, where wrinkled hills are planted with corn, beans, and fruit trees. She took a towel and soap and walked out into the rain. Halfway to the river, the pains returned and overcame her. The next thing Flor remembers, she was in a room she didn’t recognize, unable to move. As she soon discovered, she was in a hospital, her ankle cuffed to the bed, and she was being investigated for abortion.
Amount the town of Rolfe, Iowa, will pay anyone who builds a home there:
Ancient Egyptians worshiped some dwarves as gods.
In Italy, a judge ordered that a man who paid for sex with a 15-year-old girl must buy her 30 feminist-themed books, including The Diary of Anne Frank and the poems of Emily Dickinson.
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“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”