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O res ridicula!
Nihil durare potest tempore perpetuo.
Cum bene Sol nituit, redditur Oceano.
Decrescit Phoebe, quam modo plena fuit,
Venerum feritas saepe fit aura levia.
Tempus amoris cubiculum non est…
nulla est fides,
perfida omnia sunt.
O vos brutos,
That is utterly ridiculous.
Nothing can endure throughout time everlastingly.
Once the sun has shone brightly, it sets in the Ocean.
The moon wanes, how full it was a short while ago,
Love’s tempest often becomes a gentle breeze.
The time for love is not in the bedroom…
Because the lamp has been taken away
there is no trust,
everything is treacherous.
O, you are dolts,
you are stupid,
you are so dull!
– Gaius Valerius Catullus, Carmina (ca. 55 BCE).
Listen to Carl Orff’s setting of texts from poems of Catullus’s Lesbia cycle in the “Praelusio” section of Carmina Catulli (1942):
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”