SIGN IN to access Harper’s Magazine
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
[CNN] has in fact recently transformed itself into the Cadaver News Network. Between its non-stop coverage of Michael Jackson’s demise (that was a guy who really knew how to make an exit), the 24/7 coverage of the death of Teddy Kennedy that has now (probably temporarily) usurped it and the age of most of its commentators and viewers, CNN is one of those ideas I feel as though I have seen gone through its full life cycle — from laughing stock to parody of itself.
Candidly, it’s hard to imagine the world without CNN and when global crises strike — as most recently in the case of the Iranian uprisings — it can roll out its really good journalists and provide the sort of coverage that revolutionized the business. But it has never really figured out in almost three decades of existence what to do the rest of the time. Some of its answers to that question, like Larry King, are both superannuated and intoxicated with sheer trivia (otherwise how do you explain the appearance of Kate Gosselin, a woman who any respectable news organization ought to treat like intellectual ebola virus, something that once in your system pretty much dooms your credibility to bleed out through every orifice?)
More from Ken Silverstein:
Commentary — November 17, 2015, 6:41 pm
The Clintons’ so-called charitable enterprise has served as a vehicle to launder money and to enrich family friends.
The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.
Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:
Kentucky is the saddest state.
An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”