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Afghanistan’s presidential election has long been viewed by U.S. officials as a key to conferring legitimacy on the Afghan government, but Afghan President Hamid Karzai and his powerful warlord allies have planned to commit large-scale electoral fraud that could have the opposite effect.
Two U.S.-financed polls published during the past week showed support for Karzai falls well short of the 51 percent of the vote necessary to avoid a runoff election. A poll by Glevum Associates showed Karzai at 36 percent, and a survey by the International Republican Institute had him at 44 percent of the vote. Those polls suggest that Karzai might have to pad his legitimate vote total by as much as 40 percent to be certain of being elected in the first round.
But Karzai has been laying the groundwork for just such a contingency for many months. By all accounts, he has forged political alliances with leading Afghan warlords who control informal militias and tribal networks in the provinces to carry out a vote fraud scheme accounting for a very large proportion of the votes.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”