SIGN IN to access Harper’s Magazine
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
Demain, dès l’aube, à l’heure où blanchit la campagne,
Je partirai. Vois-tu, je sais que tu m’attends.
J’irai par la forêt, j’irai par la montagne.
Je ne puis demeurer loin de toi plus longtemps.
Je marcherai les yeux fixés sur mes pensées,
Sans rien voir au dehors, sans entendre aucun bruit,
Seul, inconnu, le dos courbé, les mains croisées,
Triste, et le jour pour moi sera comme la nuit.
Je ne regarderai ni l’or du soir qui tombe,
Ni les voiles au loin descendant vers Harfleur,
Et quand j’arriverai, je mettrai sur ta tombe
Un bouquet de houx vert et de bruyère en fleur.
Tomorrow, at dawn, as the countryside brightens,
I will leave. You see, I know you’re waiting for me.
I’ll travel by way of forest, I’ll travel by way of mountain.
I can’t stay away from you any more.
I’ll walk with my eyes fixed on my thoughts,
Without seeing anything beyond them, without hearing any sound,
Alone, unknown, back bent, hands crossed,
Sad, and the day for me will be like the night.
I will see neither the golden evening that descends,
Nor the sails in the distance that move towards Harfleur,
When I arrive, I shall place on your tomb
A bouquet of green holly and of flowering heather.
–Victor-Marie Hugo, Demain, dès l’aube (1847) from Les Contemplations (1856) contained in Œuvres poétiques, vol. 2, pp. 657-58 (P. Albouy ed. 1967)(S.H. transl.)
Victor Hugo may be the premier French poet of the Romantic movement, but when it came to music, he encouraged and supported contemporary composers while making clear that his heart was lodged firmly in the past. He had a life-long fascination for Claudio Monteverdi and repeatedly wrote about the master who built the bridge from Renaissance polyphony to the early Baroque. Still, Hugo’s writings inspired many of his contemporaries. This poem, written at the anniversary of the death of Hugo’s beloved daughter, has the same alternating tones of sadness and lucidity that we find in the Consolations of Franz Liszt, which was composed at the same time and was plausibly influenced by Hugo’s poetry. Listen to Consolation No. 3 in a performance by Arthur Rubinstein.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
Chance that an American would give up at least one week of life to avoid taking a pill every day:
Iowa urologists reported that only a minor portion of locker-room teasing arises from “the presence of excess foreskin”; most teasing targets small penises.
A pair of Russian film directors asked President Vladimir Putin to invest $18 million in a new restaurant chain intended to drive McDonald’s out of the Russian market. “Every project these days,” a Russian television personality said of the proposal, “must be smothered in patriotic sauce.”
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”