No Comment, Quotation — August 9, 2009, 9:59 am

Hugo – Demain, dès l’aube

corot-peasants-dawn

Demain, dès l’aube, à l’heure où blanchit la campagne,
Je partirai. Vois-tu, je sais que tu m’attends.
J’irai par la forêt, j’irai par la montagne.

Je ne puis demeurer loin de toi plus longtemps.
Je marcherai les yeux fixés sur mes pensées,
?
Sans rien voir au dehors, sans entendre aucun bruit,
Seul, inconnu, le dos courbé, les mains croisées,
Triste, et le jour pour moi sera comme la nuit.
Je ne regarderai ni l’or du soir qui tombe,
?
Ni les voiles au loin descendant vers Harfleur,
Et quand j’arriverai, je mettrai sur ta tombe
Un bouquet de houx vert et de bruyère en fleur.

Tomorrow, at dawn, as the countryside brightens,
I will leave. You see, I know you’re waiting for me.
?
I’ll travel by way of forest, I’ll travel by way of mountain.
I can’t stay away from you any more.
I’ll walk with my eyes fixed on my thoughts,
Without seeing anything beyond them, without hearing any sound,
Alone, unknown, back bent, hands crossed,
Sad, and the day for me will be like the night.
I will see neither the golden evening that descends,

Nor the sails in the distance that move towards Harfleur,
When I arrive, I shall place on your tomb
A bouquet of green holly and of flowering heather.

Victor-Marie Hugo, Demain, dès l’aube (1847) from Les Contemplations (1856) contained in Œuvres poétiques, vol. 2, pp. 657-58 (P. Albouy ed. 1967)(S.H. transl.)

Victor Hugo may be the premier French poet of the Romantic movement, but when it came to music, he encouraged and supported contemporary composers while making clear that his heart was lodged firmly in the past. He had a life-long fascination for Claudio Monteverdi and repeatedly wrote about the master who built the bridge from Renaissance polyphony to the early Baroque. Still, Hugo’s writings inspired many of his contemporaries. This poem, written at the anniversary of the death of Hugo’s beloved daughter, has the same alternating tones of sadness and lucidity that we find in the Consolations of Franz Liszt, which was composed at the same time and was plausibly influenced by Hugo’s poetry. Listen to Consolation No. 3 in a performance by Arthur Rubinstein.

Share
Single Page

More from Scott Horton:

From the April 2015 issue

Company Men

Torture, treachery, and the CIA

Six Questions October 18, 2014, 8:00 pm

The APA Grapples with Its Torture Demons: Six Questions for Nathaniel Raymond

Nathaniel Raymond on CIA interrogation techniques.

No Comment, Six Questions June 4, 2014, 8:00 am

Uncovering the Cover Ups: Death Camp in Delta

Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp

Get access to 165 years of
Harper’s for only $45.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

July 2015

Dressed to Kill

= Subscribers only.
Sign in here.
Subscribe here.

Wrong Prescription?

= Subscribers only.
Sign in here.
Subscribe here.

Travel Day

= Subscribers only.
Sign in here.
Subscribe here.

Fugue State

= Subscribers only.
Sign in here.
Subscribe here.

One Day Less

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
The Speakeasy·

= Subscribers only.
Sign in here.
Subscribe here.

“In order to understand how Marty’s could survive as an institution, I returned a year after my first visit to spend a week at what was sure to be the world’s bleakest comedy club.”
Photograph by Mike Slack
Post
The Lost Land·

= Subscribers only.
Sign in here.
Subscribe here.

“I had first encountered some of these volumes—A Swiftly Tilting Planet, The Giver—as a child, and during adolescence, they registered as postcards from a homeland recently abandoned.”
Photograph by the author
Article
Wrong Prescription?·

= Subscribers only.
Sign in here.
Subscribe here.

“Whatever the slogans suggested, the A.C.A. was never meant to include everyone.”
Illustration by Taylor Callery
Post
Introducing the July Issue·

= Subscribers only.
Sign in here.
Subscribe here.

Trudy Lieberman reports on the failed promise of the Affordable Care Act, Sarah A. Topol explores Ukraine’s struggle for a national identity, Dave Madden spends a week in Hollywood’s toughest comedy club, and more

Photograph by Stanley Greene/NOOR Images

Number of insect fragments allowed by the FDA in a standard jar of peanut butter:

153

It emerged that, in trying to count her rings, marine geologists had accidentally killed a 507-year-old clam named Ming.

A resident of Chalk Level Township in Missouri discovered the bodies of three dogs packed inside dog-food bags.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Subways Are for Sleeping

By

“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

Subscribe Today