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Soon after hijackers obliterated the World Trade Center towers eight years ago, Marin County received more than $100,000 in surveillance equipment to keep its water treatment system safe from a terrorist attack.
But four years after the funds were awarded, state authorities found more than $67,000 worth of the gear still boxed in its original packaging. It had never been used.
The rest of the homeland security money went toward an alarm system to protect remote tank and pump sites. Because of the region’s hilly terrain, the system didn’t even work.
The Marin County example is not an isolated one. Under the state’s open-records laws, California Watch found scores of instances of wasteful spending, purchasing violations, error-prone accounting and shoddy oversight at agencies across the state during the years immediately following 9/11…
Cities and agencies bought things with grant money that would not make California a safer place. One county tried to use anti-terrorism funds for a lawnmower but it was blocked at the last minute. Another county succeeded in buying a big-screen television.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”