SIGN IN to access Harper’s Magazine
Need to create a login? Want to change your email address or password? Forgot your password?
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
Barry Eisler’s novel Fault Line opens with a U.S. government hit team taking out an Iranian nuclear scientist on a visit to Istanbul. Eisler, a former covert operative for the CIA, is known to model much of his writing on the dealings of his former employer—sometimes dealings that haven’t yet made their way into the newspapers. Which is why this Washington Post story popped out at me:
Iran’s foreign minister on Wednesday accused the United States of being involved in the disappearance of an Iranian scientist with alleged links to Iran’s nuclear program. The charge comes less than a week after Iran reached tentative accords with the United States and other major powers on addressing questions about its nuclear ambitions, including letting international inspectors visit its newly disclosed uranium-enrichment site near Qom. The charge also comes as the United States has raised questions about Americans being held in Iran.
The scientist, Shahram Amiri, vanished during a pilgrimage to Saudi Arabia four months ago; Iran previously called on Saudi Arabia to help locate him. He is a researcher at Malek Ashtar University, which is connected to Iran’s Revolutionary Guard Corps and was listed by the European Union last year as an entity linked to Iran’s nuclear activities or weapon delivery systems.
Mind you, the idea that the United States would kidnap an Iranian nuclear scientist is sheer lunacy. I’m sure the offer of a bungalow in Pasadena and a new Lexus would do the trick perfectly.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”