SIGN IN to access Harper’s Magazine
Need to create a login? Want to change your email address or password? Forgot your password?
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
“If you build a bridge to nowhere, that might be a bridge that you’re going to use that I’m not going to use,” said Ed Pound, spokesman for the government board charged with investigating waste and fraud in the stimulus package. “That’s not a call we’re going to make.” –“Eye on the Stimulus: Stimulus for cotton candy, tango and a fish orchestra? Wacky, or actually worthy?” by Michael Grabell, ProPublica
Related: CJR commends large press organs for actually covering regulation, government;
Toyota smacked down by Highway Safety Administration;
percentage of young Americans unfit for military service, due to fatness, criminality, or stupidity: 75 (via);
post-exercise “afterburn” is a lie and meaningless for weight loss;
doctors’ intuition problematic
The Kcymaerxthaere is a vast alternate universe created by Eames Demetrios, a California-based artist and filmmaker who began installing the plaques in 2003. The premise of the project is that the Kcymaerxthaere exists as its own parallel world, but its remnants are often visible in our own, “linear” world—intersections that Demetrios endeavors to commemorate by physically marking their presence. He has already installed over sixty of these faux historical markers, and hopes to increase that number to seventy by the year’s end. Most are in the United States (that is, Kymaerica), while others dot the globe, materializing in Singapore, Spain, Dubai, and Australia. This August, Demetrios even lowered a plaque onto the ocean floor, under forty-five feet of water in the Garvellach Islands of Scotland. In addition to the plaques, there are lectures, websites, travel guides (including Discover Kymaerica), and bus tours. He funds the project through gallery shows that display photographs of the plaque sites, as well as “texture flags”—dense images of physical objects that he says are carried by the people of the Kcymaerxthaere as their national banners. Demetrios calls the project “three-dimensional storytelling,” and says that he hopes to mark some two thousand sites before he is through. –“Discover Kymaerica,” Michael A. Elliott, The Believer
Pfizer introduces revolutionary new gradient;
old people sexting and sending X-rated pictures amongst themselves (given the tendency among the aged to hit “reply all,” this may destroy the Internet);
related: a gallery of goats
I don’t know if it’s my bad luck or if it happens to my colleagues as well, but every time that I’ve found myself on American soil—at the airport bar, at a social gathering, wherever—and I’ve made the mistake of admitting to a citizen of that country that I’m a fiction writer who comes from Latin America, that person will immediately pull out García Márquez, and will do it, what’s more, with a self-satisfied smile, as if he were saying to me, “I know you, I know where you come from.” (Of course, I’ve found myself with wilder ones who boast about Isabel Allende or Paolo Coelho, which, ultimately, makes no difference at all, since Allende and Coelho are little more than the light and self-help versions of García Márquez.) As time goes by, however, those same North Americans, at those same bars and social gatherings, have begun to pull out Bolaño. –“Bolaño Inc.,” Horacio Castellanos Moya, Guernica
Wired weaves a web of speculation and concludes that Steve Jobs will use the secret superpowers in his new liver to singlehandedly save the written word;
Ana Marie Cox hearts “Glee”;
could there come a great rain to wash away the cuteness that plagues our world?
related: video of red panda cubs in Cleveland engaged in “high-activity play” (via);
a cloud of atlases;
“hello, world,” in Semacode, mowed into German field;
related: Mahmoud Darwish: “I see what I want of the field … I see/braids of wheat combed by the wind, and I close my eyes:/this mirage leads to a nahawand/and this serenity to lapis”
On a Friday evening in January, a thousand people at the annual California Native Plant Society conference in San Jose settled down to a banquet and a keynote speech delivered by an environmental historian named Jared Farmer. His chosen topic was the eucalyptus tree and its role in California’s ecology and history. The address did not go well. Eucalyptus is not a native plant but a Victorian import from Australia. In the eyes of those gathered at the San Jose DoubleTree, it qualified as “invasive,” “exotic,” “alien” — all dirty words to this crowd, who were therefore convinced that the tree was dangerously combustible, unfriendly to birds, and excessively greedy in competing for water with honest native species.
In his speech, Farmer dutifully highlighted these ugly attributes, but also quoted a few more positive remarks made by others over the years. This was a reckless move. A reference to the tree as “indigenously Californian” elicited an abusive roar, as did an observation that without the aromatic import, the state would be like a “home without its mother.” Thereafter, the mild-mannered speaker was continually interrupted by boos, groans, and exasperated gasps. Only when he mentioned the longhorn beetle, a species imported (illegally) from Australia during the 1990s with the specific aim of killing the eucalyptus, did he earn a resounding cheer.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A tourism company in Australia announced a service that will allow users to take the “world’s biggest selfies,” and a Texas man accidentally killed himself while trying to pose for a selfie with a handgun.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”