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L’inferno dei viventi non è qualcosa che sarà; se ce n’è uno, è quello che è già qui, l’inferno che abitiamo tutti i giorni, che formiamo stando insieme. Due modi ci sono per non soffrirne. Il primo riesce facile a molti: accettare l’inferno e diventarne parte fino al punto di non vederlo più. Il secondo è rischioso ed esige attenzione e apprendimento continui: cercare e saper riconoscere chi e cosa, in mezzo all’inferno, non è inferno, e farlo durare, e dargli spazio.
The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for man: accept the inferno and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the midst of inferno, are not inferno, then make them endure, give them space.
–Italo Calvino, Le città invisibili (1974), the final paragraph (W. Weaver transl.)
Listen to the violin concerto No. 23 in G Major (1784) by the great Torinese composer Giovanni Battista Viotti, here in a performance by the Accademia dei Filarmonici under the leadership of Aldo Sisillo. Mauro Ranieri is the violin soloist.
More from Scott Horton:
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
From the June 2014 issue
No Comment — March 28, 2014, 12:32 pm
On CIA secrecy, torture, and war-making powers
Ratio of the top weekly fee paid a Munchkin in 1939′s The Wizard of Oz to the weekly fee paid for Toto:
Czech and German deer still do not cross the Iron Curtain.
The Japanese artist Rokudenashiko was arrested for distributing 3D-printer schematics of her vagina in exchange for donations intended for the construction of a kayak.
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“I hope that after reading the following pages the leaders of the Y. M. C. A. will start a campaign to induce good young men to do nothing. If so, I shall not have lived in vain.”