No Comment — January 11, 2010, 11:40 am

Remembering Freya and Helmuth James von Moltke

This weekend we learned that Freya von Moltke died at the beginning of the year at her home in Norwich, Vermont. A lion of the resistance to Hitler and the wife of its best known leader, Helmuth James von Moltke, she was 98. The Times reports:

“He put the question to me explicitly — ‘The time is coming when something must be done,’ ” Freya von Moltke said. “ ‘I would like to have a hand in it, but I can only do so if you join in too,’ and I said, ‘Yes, it’s worth it.’ ” So, with a wife’s assent, began a famous challenge to Hitler. At the height of the Nazi victories, Count Helmuth James von Moltke invited about two dozen foes of Nazism, many of them aristocrats like himself, to imagine a new, better postwar Germany. For him, his wife’s participation was essential, as she remembered the conversation in “Courageous Hearts: Women and the Anti-Hitler Plot of 1944,” a 1997 book by Dorothee von Meding.

Moltke’s correspondence with his wife, published as Letters to Freya, constitutes, along with Anne Frank’s Diary, Primo Levi’s Se questo è un uomo, and a handful of other books, one of the great moral documents to emerge from World War II. In his letters, Moltke, the scion of Germany’s greatest military family, documents the mentality of war—what he called “cowardice, servility and mass-psychosis”–and how it undermined the moral essence of men and women, converting them to “machines with a particular function in a process.” Moltke was no pacifist, but he was a firm believer in international law and the laws of war as essential tools to protect the innocent and soften the harms of warfare. The processes he so skillfully observed can be found in some measure in every society enmeshed in war, not least of all in our own. Today, January 11, marks the fifty-fifth anniversary of the death sentence that concluded his trial by the infamous Volksgericht for his courageous actions against the Hitler regime.

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Many comedians consider stand-up the purest form of comedy; Doug Stanhope considers it the freest. “Once you do stand-up, it spoils you for everything else,” he says. “You’re the director, performer, and producer.” Unlike most of his peers, however, Stanhope has designed his career around exploring that freedom, which means choosing a life on the road. Perhaps this is why, although he is extremely ambitious, prolific, and one of the best stand-ups performing, so many Americans haven’t heard of him. Many comedians approach the road as a means to an end: a way to develop their skills, start booking bigger venues, and, if they’re lucky, get themselves airlifted to Hollywood. But life isn’t happening on a sit-com set or a sketch show — at least not the life that has interested Stanhope. He isn’t waiting to be invited to the party; indeed, he’s been hosting his own party for years.

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