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Enough is enough. Prisoner abuse and botched investigations undermine national security, handing America’s enemies a devastating recruiting tool. Mr. Obama should appoint an unrelenting career prosecutor to the case, someone of the caliber of Patrick Fitzgerald, the U.S. attorney in Chicago, to dig deeper. He must follow where the evidence leads.
The Atlantic’s Andrew Sullivan noted the deafening silence from the Obama Administration about this matter:
In Iran, when prisoners are turned into corpses after interrogation, even the Khamenei junta feels it necessary to respond. In America, not so much.
He was the first to call for appointment of a special prosecutor. Investigating the deaths in Guantánamo has been complicated by the Justice Department’s suspicious complicity in the cover-up, starting only hours after the deaths. Because of its demonstrated inability to deal with the matter in a fashion consistent with prosecutorial ethics and the requirements of law, the next steps are just those noted by the Post Dispatch. Of course, the special prosecutor should be named by Eric Holder rather than the White House, since this is what law technically contemplates. But Congress must also assert its oversight responsibilities here, and the key initial queries need to focus on the embarrassing failings of the Department of Justice.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”