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Oddly enough, the military leaders to whom Krauthammer, Boot, and Barnes all insist that Obama should defer also eschew the V-word. McChrystal and McChrystal’s boss, Gen. David Petraeus, have repeatedly said that military power alone won’t solve the problems facing a country such as Afghanistan. Indeed, the counterinsurgency doctrine that Petraeus revived and that McChrystal is keen to apply in Afghanistan in effect concedes that violence alone is incapable of producing decisive and politically useful outcomes. Expend as much ammunition as you want: what today’s military calls “kinetic” methods won’t get you where you want to go. Acknowledging that battle doesn’t work, counterinsurgency advocates call for winning (or bribing) hearts and minds instead. And they’ll happily settle for outcomes—take a look at Iraq, for example—that bear scant resemblance to victory as traditionally defined. That the post-Cold War United States military, reputedly the strongest and most capable armed force in modern history, has not only conceded its inability to achieve decision but has in effect abandoned victory as its raison d’être qualifies as a remarkable development.–“No Exit: America has an impressive record of starting wars but a dismal one of ending them well,” Andrew Bacevich, The American Conservative
For more from Andrew Bacevich, please read in Harper’s Magazine: “The War We Can’t Win” (subs), and “American coup d’etat: Military thinkers discuss the unthinkable” (free)
New York-style vowels are diphthongs— meaning they change into another sound during pronunciation. That’s just a boring way to describe the musical “aww-uhh” that New Yorkers bring to their vowels, pulling them apart like taffy, turning “sausage” into “sawww-sage.” Words like “talk” and “walk” turn into two-syllable words: “Taww-uhk” and “waww-uuhk.” Travis Bickle’s famous line from “Taxi Driver” actually sounds more like, “Yoo tawwhkin’ ta may?”…Nobody’s quite sure when these features melded into the accent we know today, though it shows up on some of the earliest sound recordings. After the British, the next generation of European immigrants to New York City — Irish and Germans in the mid-1800s, Jews, Eastern Europeans, Russians, and Italians starting in the 1880s — contributed their own features. There were references to a “Bowery accent” by the turn of the century. –“Why the classic Noo Yawk accent is fading away,” Sheila McClear, New York Post
A writer on Jezebel made a connection between your previous memoir, about your eating disorder, and your search for a partner. “Gottlieb treats dating like dieting— an unpleasant exercise in self-denial, meant to achieve a socially acceptable result,” she writes. Do you see any truth in that?
I see it as the opposite of denial– it’s about the opening up of possibilities and not denying ourselves the opportunity to fall madly in love with someone because we’ve intellectualized ourselves out of getting to know someone who isn’t our culture’s ideal of Mr. Right….
You do have a very a grim view of singlehood.
You’re right about that. For me, it’s harder to go through life alone than with a partner you love. But I don’t have a grim view of singlehood for those who embrace it. It’s that, for me and many women — we’d rather have the teammate in life. And no matter how many friends we have, there’s a qualitative difference between what those friendships can offer — it’s a completely different level of intimacy and involvement in the minutiae, the little moments in life that have so much meaning to a lot of us, especially as we get older and our priorities change. –“‘Marry Him’’s Lori Gottlieb: Settling and the single girl,” interview by Sarah Hepola, Salon
The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.
Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:
Kentucky is the saddest state.
An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.
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“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”