Publisher's Note — April 15, 2010, 8:25 am

Paris in the Rain

John R. MacArthur is publisher of Harper’s Magazine and author of the book You Can’t Be President: The Outrageous Barriers to Democracy in America. This column originally appeared in the April 14, 2010 Providence Journal.

Was there ever a better setting for the debut of spring than Paris? I doubt it. Having just been there, I’m convinced that somewhere in a basement laboratory hidden on the rue des Francs Bourgeois, a reclusive genius is constantly at work ensuring that early spring (not the iconic “April in Paris”) remains a time when even the most dedicated right-wing French-bashers might succumb to the charms of the city and the people they claim to loathe.

Mind you, the weather was pretty bad, although I’ve been through much worse. As the third child of a French war bride, I’ve spent a great deal of time in my mother’s country, and it hasn’t always been pleasant. You’ve probably heard of the heat wave of 2003, when nearly 15,000 people died in non-air-conditioned misery. (Oh, those French hypocrites, with their supposedly splendid “social model”!) I wasn’t in France at the height of that public-service failure, but I did experience the canicule of 1976, which was awful enough. Fans were sold out everywhere that summer and my mother’s little two-room pied à terre on the Boulevard Exelmans turned stifling in the late afternoon. Since the apartment overlooked a very noisy underpass, and it was too hot to close the windows, I didn’t get much sleep that trip.

And, in January 1981, I landed at Charles de Gaulle at night in a tremendous ice and slush storm; it was all I could do to get on a packed bus that crawled from the arrival terminal in Roissy to the bus station at the Porte Maillot. I’ve never seen Paris so paralyzed — indeed, I’ve never experienced an ice storm of such intensity anywhere, not even in my hometown of Chicago.

But on this visit, I only had to deal with cold rain — every variety of it. Our first day, Sunday, there was a very fine and chilly rain, more than a mist but not enough to drench us. We took a taxi to the Marché bio (Paris’s wonderful outdoor organic food market) on the Boulevard Raspail and found that two little fold-up umbrellas were more than enough to keep my wife, our two daughters, and me dry. When the rain picked up, we simply took shelter under the overhang of the market stalls. What a pleasure, though, to find refuge in front of such a vast array of cheeses, sausages, fruits, vegetables and seafood, in some respects the greatest show of all in a place that specializes in breathtaking public-art exhibitions.

Because we were late to the market, I got the last remaining sole, but since four fillets weren’t enough for our dinner, my wife bought shrimp from Madagascar as a supplement. When we noticed the quizzical actress-director Julie Delpy, I was tempted to ask the discriminating comedienne whether “bio” baguettes were any good, but I wouldn’t ask a stranger such a personal question in socially conservative France (in fact, the bread wasn’t great; everything else was).

As we left the market at its bottom end on the Rue de Rennes, it started raining a little harder; with no cabs in sight, we took the metro home. By the time we emerged in the seventh arrondissement at the Ecole Militaire station, the rain had stopped, and we did something my wife is always remarking on in Paris, something we never do in New York: We watched the clouds. There is nothing like an overcast Parisian sky, with its ominous gray and its undulations above what is still essentially, a flat (except for Montmartre), low-rise city, broken only by church towers, the Tour Montparnasse and, of course, the Eiffel Tower. For me, the one remotely comparable sky is on film, in Michelangelo Antonioni’s “Blow Up,” though it takes place in London. With hardly any tall buildings to block one’s view, the Paris pedestrian is free to gaze at a constantly shifting assortment of cumuli, which doesn’t necessarily require intervals of sun to make it interesting.

Well, as I said, not necessarily. On Wednesday (Tuesday brought heavy rain during our shopping tour in Marais neighborhood) we took a stroll along the very bourgeois Rue de Passy in the seventh arrondissement. After an excellent pizza lunch on the Rue de l’Annonciation, we found ourselves in the Place de Passy, stuck in a genuine downpour and buffeted by strong winds. Huddling under the awning of a DVD stall outside the Marché de Passy, we realized we needed a more aggressive strategy to deal with the weather. I remembered passing an eccentric street merchant selling big, stout-looking umbrellas. Two for 20 euros did the trick for the four of us, and we re-embarked in a westerly direction, past La Muette metro, through the lovely Jardin de Ranelagh, and on to the Musée Marmottan, with its extraordinary Monet collection.

Even if you never wanted to be a painter in the City of Light, or anywhere else for that matter, how could you resist the temptation to try your hand at it after seeing the sun come out, suddenly and brilliantly, following a violent rain storm in a Paris park on the last day of March. In America, at least the parts I know, rainstorms have a beginning, middle and definite end. Not in Paris, where on this particular day the sun and rain seemed to alternate as often as the lead changed hands in the Duke-Butler NCAA championship final. Hard rain would begin and, “Oh, not again. Will this ever stop?” Then slanting sun backed by patches of blue would appear and, “Oh, have you ever seen anything more lovely!”

I suppose there’s aesthetic competition somewhere for Paris’s extravagantly beautiful spring sky-life. But I haven’t seen it yet. The next time I go, I hope it will rain.

Share
Single Page

More from John R. MacArthur:

Publisher's Note November 20, 2014, 7:25 pm

The New York Times tries to marginalize the left

“Nowhere did the Times define ‘the left’ or what might excite its opposition to Clinton. Our imaginations are allowed to run wild: Is ‘the left’ a terrorist organization? A part of the outfield? Or is it just not worth mentioning?”

Publisher's Note October 23, 2014, 4:12 pm

A purposeless, symbolic war

“Since World War II, very little that could be called genuinely humanitarian has resulted from American military intervention—not in Korea, certainly not in Vietnam, and not in Panama, Afghanistan, or the two Iraq wars and Libya.”

Get access to 164 years of
Harper’s for only $39.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

December 2014

Poison Apples

= Subscribers only.
Sign in here.
Subscribe here.

Growing Up

= Subscribers only.
Sign in here.
Subscribe here.

Gateway to Freedom

= Subscribers only.
Sign in here.
Subscribe here.

Guns and Poses

= Subscribers only.
Sign in here.
Subscribe here.

Christmas in Prison

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
Beeper World·

= Subscribers only.
Sign in here.
Subscribe here.

“The beeper, for a certain kind of Miami teenager in the Nineties, was an essential evolutionary adaptation.”
Photograph by Curran Hatleberg
Article
Hammer Island·

= Subscribers only.
Sign in here.
Subscribe here.

“The place could have sprung from someone’s jealous dream about white people.”
Photograph by Emily Stein
Article
Growing Up·

= Subscribers only.
Sign in here.
Subscribe here.

“The best coming-of-age stories have a hole in the middle. They pretend to be about knowledge, but they are usually about grasping, long after it could be of any use, one’s irretrievable ignorance.”
Photograph by Ben Pier
Article
Guns and Poses·

= Subscribers only.
Sign in here.
Subscribe here.

“‘It’s open shopping,’ he said. ‘A warehouse. The whole of Libya.’”
Map by Mike Reagan
Article
Christmas in Prison·

= Subscribers only.
Sign in here.
Subscribe here.

“Just so you motherfuckers know, I’ll be spending Christmas with my family, eating a good meal, and you’ll all be here, right where you belong.”
Photographer unknown. Artwork courtesy Alyse Emdur

Amount that President Obama has added to America’s “brand value” according to the Nation Brands Index:

$2,100,000,000,000

A study suggested that the health effects of exposure to nuclear radiation at Chernobyl were no worse than ill health resulting from smoking and normal urban air pollution.

A Utah woman named Cameo Crispi pleaded guilty to having drunkenly attempted to burn down her ex-boyfriend’s house by igniting bacon on his kitchen stove.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

In Praise of Idleness

By

I hope that after reading the following pages the leaders of the Y. M. C. A. will start a campaign to induce good young men to do nothing. If so, I shall not have lived in vain.

Subscribe Today