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I did an item awhile back about a fundraiser for Congressman Ed Towns that was hosted by the Entertainment Software Association and held at the Verizon Center during a show by Bruce Springsteen & the E Street Band. But I didn’t realize how many other members of congress use Springsteen concerts to drum up cash.
ProPublica has the goods here:
As Bruce Springsteen belted out his working-class anthems on the floor of the Verizon Center last May, Rep. Peter DeFazio, D-Ore., chair of the House Highways and Transit Subcommittee, was raising money in the privacy of a luxury suite overlooking the stage. Ten other members of Congress were also asking for cash that night. The Democratic Congressional Campaign Committee was there, too, holding a fundraiser featuring Rep. Barney Frank, D-Mass., chair of the Financial Services Committee. It was the ultimate in multitasking for the politicians – three hours of The Boss for free while raising thousands of dollars for their campaigns and political action committees, or leadership PACs…
At least 19 congressional fundraisers were held at Springsteen’s two Washington concerts last year, almost half of them in boxes rented from companies or organizations with business before the committees of the lawmakers who used them.
Note: Jon Landau, Springsteen’s manager, told me after my item ran: “Obviously we had no idea about the fund-raiser at the Verizon Center and are looking into it right now. Bruce does not allow his name to be used to promote anything without his permission, but sometimes the truly ingenious find ways to piggyback their events on top of what we do in ways that are hard to disentangle.”
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”