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In des Sees Wogenspiele
Fallen durch den Sonnenschein
Sterne, ach, gar viele, viele,
Flammend leuchtend stets hinein.
Wenn der Mensch zum See geworden,
In der Seele Wogenspiele
Fallen aus des Himmels Pforten
Sterne, ach, gar viele, viele.
In the swelling of the lake’s waves,
Through the sunshine fall
Stars, oh, so many, many,
Flaming brightly down upon us.
When humankind and the lake are one,
In the soul’s swelling waves,
There will fall from Heaven’s gates
Stars, oh, so many, many.
–Franz Seraph Ritter von Bruchmann, Am See (ca. 1822)(S.H. transl.)
Franz von Bruchmann, the son of a successful merchant who moved from Cologne to Vienna at some point during the Napoleonic era, was a contemporary of Franz Schubert’s, and probably attended secondary school together with him. He was a typical figure of the early Romantic movement, inspired by nature, strongly influenced by Goethe and then the Schlegel brothers and Schelling. He seems to have renounced his family’s Catholicism around the time he was composing this poem, instead turning to the pantheistic views of the Schlegels. This poem shows that, highlighting the relationship between man and nature, especially in the line “wenn der Mensch zum See geworden,” literally, “when the human has become the sea.” Bruchmann was not known as a poet, but he was an enthusiastic sponsor of Schubert, hosting musical evenings (Schubertiade) at his home in Vienna.
This Lied is a prominent example of Schubert’s ability to produce wonders from unassuming and naïve poetical material. His music is exceptionally simple, and all the same hypnotic. It beautifully evokes the sound of waves lapping at the lakeside and Schubert brilliantly uses the singer’s human voice to present the soul “flammend leuchtend” (“flaming brightly”), just as the piano is used to emulate the waves, preserving the simply dichotomy of the poetic concept. It seems that Schubert has also tinkered a bit with the conclusion of the poem, adding an extra “viele” for emphasis, but he uses this in a very clever way in the musical composition, drifting off into a infinite world of dreams.
Listen to Ian Bostridge perform Franz Schubert’s setting of the poem:
More from Scott Horton:
Conversation — March 30, 2016, 3:44 pm
Joseph Hickman discusses his new book, The Burn Pits, which tells the story of thousands of U.S. soldiers who, after returning from Iraq and Afghanistan, have developed rare cancers and respiratory diseases.
i. stand with israel
I listen to a lot of conservative talk radio. Confident masculine voices telling me the enemy is everywhere and victory is near — I often find it affirming: there’s a reason I don’t think that way. Last spring, many right-wing commentators made much of a Bloomberg poll that asked Americans, “Are you more sympathetic to Netanyahu or Obama?” Republicans picked the Israeli prime minister over their own president, 67 to 16 percent. There was a lot of affected shock that things had come to this. Rush Limbaugh said of Netanyahu that he wished “we had this kind of forceful moral, ethical clarity leading our own country”; Mark Levin described him as “the leader of the free world.” For a few days there I yelled quite a bit in my car.
The one conservative radio show I do find myself enjoying is hosted by Dennis Prager. At the Thanksgiving dinner of American radio personalities (Limbaugh is your jittery brother-in-law, Michael Savage is your racist uncle, Hugh Hewitt is Hugh Hewitt) Dennis Prager is the turkey-carving patriarch trying to keep the conversation moderately high-minded. While Prager obviously doesn’t like liberals — “The gaps between the left and right on almost every issue that matters are in fact unbridgeable,” he has said — he often invites them onto his show for debate, which is rare among right-wing hosts. Yet his gently exasperated take on the Obama–Netanyahu matchup was among the least charitable: “Those who do not confront evil resent those who do.”
Average number of Americans who are injured by chain saws each year:
A farmer in Kenya bit a python who tried to eat him.
A former prison in Philadelphia that has served as a horror-movie set was being prepared as a detention center for protesters arrested at the upcoming Democratic National Convention, and presumptive Republican presidential nominee Donald Trump fired his campaign manager.
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“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”