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Partisans among the press, meanwhile, continue their rear-guard actions, making themselves ridiculous with semantic gymnastics. It is not abortion, it’s “reproductive choice” or “abortion rights.” The New York Times consistently skirts the term “partial birth abortion,” as in this story about Sen. Blanche Lincoln: “Even Emily’s List . . . joined the pile-on last week, reminding followers that it stopped supporting Mrs. Lincoln . . . after she voted to ban a form of late-term abortion in 1999.” A form. –“As Morally Serious as a Root Canal,” Mona Charen, National Review
Taxpayer funding for music isn’t right for everybody. In some countries, public funding is a way to promote national culture in the face of American music’s commercial dominance; in places like Sweden and the UK, it’s also a means of protecting a prized national export. Nearly everywhere, more funding goes to classical forms like opera or ballet than to what is loosely called “rhythmic music.” When bands do get money, there are always debates over which ones really deserve the support….And, just as U.S. health-care legislation has constantly hovered over the brink, public arts spending programs in these nations are always at risk of being slashed. –“What’s the Matter With Sweden?” Mark Hogan, Pitchfork
Wilkins was 14 in January 1980, when she successfully bought a Playboy for the first time, and since then she’s bought every issue, new and old. She hid her magazines from her mother in boxes in the closet—and she hid her obsession from just about everyone else she knew too. “The first person I told was my high school boyfriend,” she says. “Of course I told him.” In 1983 she left Kalamazoo for the University of Chicago, where she took out a subscription. She’s been a subscriber ever since. –“What Sort of Woman Reads Playboy?” Katie Buitrago, Chicago Reader
Why would anyone freebase coffee? (because someone will do anything for everything)
More from TedRoss:
Freddie Gray’s relatives arrived for the trial in the afternoon, after the prep-school kids had left. By their dress, they seemed to have just gotten off work in the medical and clerical fields. The family did not appear at ease in the courtroom. They winced and dropped their heads as William Porter and his fellow officer Zachary Novak testified to opening the doors of their police van last April and finding Freddie paralyzed, unresponsive, with mucus pooling at his mouth and nose. Four women and one man mournfully listened as the officers described needing to get gloves before they could touch him.
The first of six Baltimore police officers to be brought before the court for their treatment of Freddie Gray, a black twenty-five-year-old whose death in their custody was the immediate cause of the city’s uprising last spring, William Porter is young, black, and on trial. Here in this courtroom, in this city, in this nation, race and the future seem so intertwined as to be the same thing.
Minimum number of cats fitted with high-tech listening equipment in a 1967 CIA project:
Zoologists suggested that apes and humans share an ancestor who laughed.
A former prison in Philadelphia that has served as a horror-movie set was being prepared as a detention center for protesters arrested at the upcoming Democratic National Convention, and presumptive Republican presidential nominee Donald Trump fired his campaign manager.
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“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”