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Paul J. Magliocchetti was one of the most powerful and influential lobbyists in Washington not too long ago, known for steering campaign contributions to favored lawmakers while securing millions of dollars in projects for his clients. On Thursday, the former defense lobbyist stood accused by federal prosecutors of orchestrating one of the largest campaign-finance frauds in U.S. history…
Magliocchetti, 64, the founder and owner of the now-closed PMA Group, was charged in U.S. District Court in Alexandria with eight counts of illegal campaign contributions and three counts of making false statements. He is accused of funneling hundreds of thousands of dollars to lawmakers to enhance his firm’s stature and business prospects.
The developments mark the latest chapter in the saga of PMA, whose success in securing funding for often-obscure defense contractors spawned the criminal probe and a recently completed House ethics inquiry. PMA’s clients gained more than $200 million in federal earmarks from a roster of lawmakers, who received hundreds of thousands of dollars in contributions from the lobbyist, his family and associates.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”