SIGN IN to access Harper’s Magazine
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
Who is it this time? The biggest celebrity of all, Barack Obama. Following in the footsteps of Theodore Roosevelt’s Hero Tales from American History, and Jimmy Carter’s The Little Baby Snoogle-Fleejer, the president has come up with Of Thee I Sing: A Letter to My Daughters, a set of 13 “inspirational tales” of American pioneers.
Frankly, just the title makes me want to stick my fingers in my ears and scream. Even though it is taken from My Country, ‘Tis of Thee, it reeks of patronising, pseudo-didactic, blood-freezing smarm. And that’s not mentioning the subtitle – honestly, what children’s book has a subtitle? –“Leave the prose to the pros, Mr. Obama,” Philip Womack, Telegraph
More than 2 million Americans served in Vietnam. Ohio lost 3,094 of them. The rest of our boys came home, but the ship never righted. Guys I’d known my entire life weren’t fun, or funny, anymore. No more teasing, no big brother reprimands to get out of the street and quit picking on the little ones. Sometimes I’d look at my friends’ older brothers sitting on their front porches and their stares would scare me. I’d look in their eyes and get goose bumps. It was as if they thought I was trying to start a fight just by smiling at them. I’d scamper off, full of questions my father warned me never to ask. –“What it was like,” Connie Schultz, Columbia Journalism Review
The festival committee was wise to bring [DBC Pierre] out, Melbourne loves that shit. To some degree the crowd fitted to his style perfectly. Melbourne is the hipster capital of Australia, and the audience was made up of equal quantities of irony and fixed gear bicycles, I’m guessing, his people. After DBC swam off stage in a drunken whoosh, the audience clapped the precise number of times they heard his name mentioned during the festival, (seventeen thousand). In a way he was lucky. If the event was held during the day, he’d have been crucified by the crazy English literature teachers who swarmed the festival, demanding to know everyone’s process, while refusing to hand back the microphone once their question was asked. –“Tales from the Melbourne Writers Festival,” Brad Dunn, The Outlet
More from Rafe Bartholomew:
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”