SIGN IN to access Harper’s Magazine
Need to create a login? Want to change your email address or password? Forgot your password?
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
Earlier this week, the U.S. Department of State issued an unusual Europe-wide travel advisory, and U.S. counterterrorism officials, speaking off the record, were talking it up as an enormous new security risk for Europe. France evacuated the Eiffel Tower and staged identity checks at transit points. Germany, on the other hand, cautioned against overreaction, stressing that there was general information only, no specific information of a pending attack, certainly no dates or specific targets. This does not point to differing estimations of danger. The reactions are driven by different philosophies about how information should be cast when it is presented to the public.
The German philosophy, which is close to that of the United Kingdom and the New York City Police Department (explained by my friend Mike Shaheen here), runs something like this: the aim of terrorists is to instill fear and to disrupt lives. Therefore it is only doing the terrorists’ bidding when a government makes statements that generally spread anxiety without providing any specific guidance. The approach of these governments is thus to share the basic information but to downplay its significance (usually by stressing that the information is general, that it shows planning but that there is no specific information about an attack). They urge people to go about their lives and to report suspicious activity to the police. Quietly, law enforcement and intelligence agencies will follow up leads, interrogating individuals and making arrests. Generally speaking, however, the aim is to get a good look inside the terrorist cell and follow its threads from within, not moving too quickly. The theory is that, once alerted, the terrorists are less likely to reveal the full scope of their plans or their support network.
The approach that is still favored by the United States federal authorities and the French stresses the need for the state to share its sense of alarm with the public and then to take public measures that show its vigilance even when such measures are not likely to have a high payoff. Compared with its European allies, the United States has also been quick to “spring the trap.” That is, it often arrests individuals believed to be involved in a plot early on, giving up the opportunity to learn more by monitoring them. This has in the past been a point of some friction between Britain and the United States.
In general, I think the approach favored by the NYPD, Britain, and Germany is better. If the terrorists’ principal object is to paralyze a society with fear, why should the government play right into their hands? The government should share the basic information they have, but they should take care not to embellish or hype it. The media can be relied upon to do that all on their own.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”